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Bebop Spoken There

Wayne Escoffery: "My philosophy is keeping one foot in the past and one foot in the future" - DownBeat March 2018.

Scott Bradlee: “When audiences hear it [Sweet Child O’ Mine] there’s a lightbulb moment when they recognise the song’s hook, even though it’s in a different context. They’re so used to hearing it one way that it causes some cognitive dissonance. If it’s a song they’ve disparaged in the past and they now find themselves liking it, that’s really interesting to me” DownBeat March 2018.

Today Saturday February 17

Afternoon

Improv Workshop: Session 2 - Music Dept., Palace Green, Durham University DH1 3RL. 11:30am. Open to the public as observers.

Evening

Archie Brown & the Young Bucks - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Paul Booth w Strictly Smokin’ Big Band @ Alphabetti Theatre, St James’ Boulevard, Newcastle NE1 4HP. 8:00pm. £10.00. SOLD OUT- Some standing tickets now available.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, August 08, 2015

Lambert and Williams @ The Vermont Hotel. August 7

Ruth Lambert (vocals) & Mark Williams (guitar)
(Review by Russell)
The wedding party probably couldn’t believe their luck in having such high quality musical entertainment laid on for the occasion. A nice touch by the hotel’s manager, clearly someone with impeccable taste, eager to make the day for the newly weds.
The bride looked radiant. ‘Radiant’ is the word, isn’t it? All brides are described as being ‘radiant’, ‘happy’, blah, blah. Of course the music – courtesy of Ruth Lambert and Mark Williams – just happened to be a regular gig in the Redwood Bar, but, hey, don’t tell the newlyweds!
Hopefully the nuptials went without a hitch and all arrived on time. The early Friday evening jazz booking had, without publicity, been brought forward to a late afternoon start – half past four. Consequently your correspondent arrived at the church, sorry, hotel, a tad late. Vocalist Ruth Lambert was half way through singing three hundred plus tunes (slight exaggeration) with accompanist Mark Williams. God Bless the Child, Here’s That Rainy Day, seemingly effortless, accomplished artistry the secret. All of Me swung with Mark Williams in Joe Pass mode juggling bass line, chords and inventive soloing. He did the same thing on What Is This Thing Called Love? (the newly weds weren’t listening). A gig beckoned elsewhere as Lambert warned of Stormy Weather; the forecast inaccurate, the singing just fine.    
Russell.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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