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Bebop Spoken There

Allison Neale: “It’s difficult if you play mainstream in the UK, it isn’t appreciated enough. The current scene seems to focus on musician-composers.” - (Jazz Journal April 2013).

Liam Noble: “I know some people think playing standards is old-fashioned but I love it.” – (Jazz Journal January 2016).

Archives.

Monday February 20

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
Evening.
Holy Moly & The Crackers + Rob Heron & The Tea Pad Orchestra - The Cluny, Lime St., Newcastle. 7pm. £10.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, August 25, 2015

CD Review: Fred Hersch - Solo

Fred Hersch (pno).
(Review by Dave Brownlow).
An album of solo piano recorded live at Windham Civic Centre Concert Hall in New York to kick-off a year-long celebration of his 60th birthday with appearances, projects and this CD - Fred Hersch’s tenth solo recording proof that he’s now more than capable of working without the “safety-net” of a rhythm section or other players. 
In the history of jazz, it could be argued, that very few pianists could really play solo successfully and satisfyingly. Tatum, Peterson, Jarrett – those with a formidable technique. Hersch, also, belongs in that stellar group; he’s a master-musician with a style uniquely his own incorporating a wonderful harmonic sense, swing, humour, touch at the keyboard, emotion and lyrical improvisations. The album comprises a set of pieces that are typical Hersch – Kern, Tizol, Monk, Jobim and Joni Mitchell plus a couple of Hersch originals.
The recital begins with a medley of Jobim’s Olha Maria and O Grande Amor. Both are beautifully re-harmonised with “surprises” that blend in with the original rich chords. If Claude Debussy were alive today, this would be the way he'd play these songs!
Caravan offers complete contrast. Juan Tizol’s song has had many exotic interpretations, none more so than this one. Fred picks out melody notes from all over the keyboard, completely unconventionally, but to these ears, just right. Juan and Duke would smile at this performance!  Pastorale, the first of the Hersch originals is a beautifully constructed, lilting tribute to Robert Schumann. He makes the piano “sing” – reminiscent of some of Keith Jarrett’s extraordinary adventures in harmony and keyboard mastery.
Whirl is the second original and we’re soon in a vortex of flowing improvisation where Fred loses himself in a headlong display of melody, counter-melody and bravura technique.
The Song Is You opens with a reflective, out-of-tempo, intro which gradually morphs into the well-known song beloved of many jazzers because of its ‘interesting’ chord sequence. Fred’s version gently flows through the modulations with great imagination and sensitivity. Monk’s In Walked Bud is played at a lively tempo with vigour and humour; at times Fred plays with hands seven octaves apart – quite a feat! Homage indeed to Thelonious and Bud from one of today’s gifted artistes. Joni Mitchell’s Both Sides Now closes the CD almost with reverence and delicacy yet with strength. I think that Fred chooses his standards carefully and must know the words of the songs – as Pres did – because of the depth of feeling he puts in to the performances.
Dave B.
Fred Hersch SOLO (Palmetto 180) will be available from September 4  from Palmetto   Definitely one of my albums of the year!

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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