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Bebop Spoken There

Dewey Redman: "When Trane came to Bop City in San Francisco and told me he liked the way I played, I stayed high off that forever." - (Downbeat June 1980.)

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Nick Brignola: “I got to talk to John Coltrane before he was John Coltrane!” – (Jazz Journal April 1991)

Archives.

Today Wednesday January 18

Afternoon.
Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Evening.
Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.
Ruth Lambert w. Alan Law Trio - Cherry Tree Restaurant, 9 Osborne Rd., Jesmond, Newcastle. 7:30pm. No cover charge.
Levee Ramblers NOJB - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:30pm. £3.00. Note earlier start and a small increase in admission.
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Tees Hot Club - Cleveland Bay, 718 Yarm Rd., Eaglescliffe, TS16 0JE. 9pm. Free.
To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, August 11, 2015

CD Review: Andrea Wood - Kaleidoscope

(Review by Ann Alex).
Andrea Wood hails from Washington DC where she attended the Duke Ellington School of Arts.  Claiming influences that range from classical composers, soul, R & B singers, through to Miles Davis, Bill Evans, and hip-hop. As well as straight jazz, Ms Wood also sings in other styles such as gypsy jazz and rock regularly performing in and around New York and has released at least one other CD. On this album her voice is full-toned and appealing.  Nine of the 13 tracks are her own original material: the other 4 tracks are You And I (Stevie Wonder); Nature Boy; Call Me Maybe (Carly Rae Jepsen); and Bob Marley’s Three Little Birds.
The musicians are well up to their game, especially Donny McCaslin’s tenor sax and the guitar solos, and the keys do well on You And I.  The bass is noticeably effective playing unaccompanied intros to many of the tracks.  Wood's original compositions are songs of love and loss, with titles such as Intuition; Take A Chance; Parting Ways.  
Having said all that, I’m afraid that the CD as a whole left me feeling dissatisfied.  The original songs needed more of a ‘hook’ to draw me in.  Perhaps too many of the singer’s various influences have been involved in the arrangements – more straight jazz numbers would perhaps have made for a better general ‘feel’. For instance Nature Boy was one of the better tracks.  Or perhaps another style of singing could have been used on all the tracks: for example Call Me Maybe was pleasantly catchy, and the hip-hop of the track Doowop was interesting. There were 2 tracks entitled Interlude which consisted of the stop/start and tearing sounds used by DJs, which seemed out of place on this CD.
The CD is available on the Biophilia Records Label and it was released on July 14. 
Ann Alex.
Andrea Wood (vocals, arrangements); Angelo Di Loreto (piano, fender Rhodes, Wurlitzer, Hammond B3); Ollie Hirvonen (guitars); Ethan O’Reilly (elec and acc bass, vocals); Phillipe Lemm (drums, perc, vocals); also Donny McCaslin (tenor sax); Nick Wood (production on some tracks, vocals); Andrew Sheron (vocals, elec bass, post-production)

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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