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Bebop Spoken There

More from Jazz Monthly:

Jack Cooke: "...neither Giuffre nor Jim Hall are even adequate jazz musicians, they are technically limited, and more importantly, seem unable to improvise logically" - (Review of a JATP concert. Jazz Monthly May 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

Archives

Today Wednesday October 18

Afternoon
Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.

Evening
Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.

Billy's Acoustic Blues - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free (weekly).

New Orleans Jazz at the Village Hall - Springwell Village Community Venue, Fell Rd., Gateshead NE9 7RP. 8:15pm. £3.

Glowrogues - Empty Shop, 35c Framwellgate Bridge, Durham DH1 3NJ. 8:00pm. Line-up Sam Healey (alto), Aaron Diaz (trumpet & electronics), Richard Foote (trombone), Ben Watte (keyboards), Dan Brew (guitar), Jamie Brewster (bass) & Jim Molyneux (drums)

Shannon McNally & Friends + Little Mo (Mo Scott) - Live Theatre Studio, Broad Chare, Newcastle NE1 3DQ. Tel: 0191 232 1232. 8:00pm. £10.00. Jumpin’ Hot Club gig.

Tees Hot Club - Cleveland Bay, 718 Yarm Rd., Eaglescliffe TS16 0JE. 9pm. Free.

Emma Fisk & Paul Edis - Ushaw College. 7:30pm. £7.00. Classical, jazz & tango. (CANCELLED)
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, July 19, 2015

Graeme Wilson & Paul Edis @ The Jazz Café. July 18

Graeme Wilson (tenor saxophone) & Paul Edis (piano)
(Review by Russell/Photo courtesy of Mike Tilley)
Wilson and Edis play Monk. Eagerly anticipated. This Saturday evening the Jazz Café drew Mionk disciples, Caff habitués and the regular slew of city centre circuit drinkers. 
Thelonious Monk would have liked the Caff’s  piano – he surely played worse pianos, much worse.  Graeme Wilson’s flying visit to the north east (he had played the Opus 4 Jazz Club in Darlington the previous evening) heard him on tenor in the company of a long-time musical friend, pianist Paul Edis.

The front row crowd attentive, others – the cloth-eared – less so, heard two sets of the finest jazz one could wish to hear. Bright Mississippi, with the chord changes to Sweet Georgia Brown right there, opened the programme. It couldn’t get any better, could it? Crepuscule with Nellie – it just got better and better! Graeme Wilson always plays the perfectly conceived solo, whatever the tune, the construction logical, fully formed. The duo format can be something of a high-wire act, the musicians exposed to the dangers less evident in larger ensembles. Every nuanced note heard, Wilson and Edis have an empathetic, if not telepathic, understanding. Edis’ piano playing continues to astonish – Monk with baroque right hand and stride left. Complex, brain-befuddling, the trick, if there is one, must be in the compartmentalising (in the brain) of two disparate musical ideas.
A ballad – Light Blue – should have been heard in reverential silence. No chance. The punters were in talkative mood. At one point during the evening Jazz Café proprietor Mike Tilley told the unruly to shut up or get out. Keith Crombie would have approved! The Monk disciples applauded spontaneously – things were hotting up! Four in One – perhaps the tune of the night – reached new heights. To top the lot Nutty was nothing short of brilliant. The deafening applause, short of a standing ovation, won an encore. Wilson and Edis’ gig is a real contender for Gig of the Year, that’s how good it was.     

Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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