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Bebop Spoken There

Chris Potter: "When we were going to get on an aeroplane, he [Red Rodney] would always pretend to have a limp so we could get on first." (Jazzwise March 2019).

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Today Thursday February 21

Afternoon

Jazz

Vieux Carré Jazzmen - Holystone, Whitley Rd., Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Society Trio - Revolucion de Cuba, 1 Cloth Market, Newcastle NE1 1EE. 6pm. Free,

Musicians Unlimited - Tees Hot Club, Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free. Guest band night.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NJ. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Daniel John Martin w Swing Manouche - Black Swan, Westgate Road, Newcastle NE1 1SG. Tel: 0191 261 5618. 8:00pm. £6.00. (£5.00. concs.).

Stu Collingwood (solo piano) - The Rabbit Hole, 17 Hallgarth St., Durham DH1 3AT. Tel: 0191 386 5556. 7pm. Book in advance.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, July 05, 2015

CD Review: SNJO w. Makoto Ozone - JEUNEHOMME Mozart's Piano Concerto No 9 K-271

(Review by Lance).
"Jazzing the Classics" has, over the years, become quite commonplace with, it has to be said, varying degrees of success. Nine times out of time my feeling has been; Why didn't they leave well alone? A notable exception was Ellington's take oTchaikovsky's Nutcracker Suite and another one is this concert recording by the Scottish National Jazz Orchestra of Mozart's Piano Concerto No 9 K-271 with Makoto Ozone in the hot seat.
We know that SNJO have a penchant for this sort of thing having heard their version of Gershwin's Rhapsody in Blue. That was fine but, given the superior material that they have to work on here, this is several notches above even that sterling effort.
Ist Movement, subtitled Allegro Swing, reveals Ozone to be a pianist more than capable of handling the straight sections. Tommy Smith has an extended workout on tenor followed by some agile bass work by Gourley. Underneath, the pianist comps before breaking out and laying down his jazz credentials for all to hear. Andre Previn and Jacques Loussier are the only others I can think of who covered both idioms so well.
2nd Movement, subtitled Andantino Tango, opens with a Smith tenor cadenza leading into a rich probing exposition of the theme over Ozone's explorative background before the pianist once more takes centre stage - pianists do this in piano concertos. Pattison maintains the melancholy mood on soprano and Ozone returns to gently take us down into the arms of the orchestra.
3rd Movement, subtitled Rondo/ Presto Be-Bop, you know by the subtitle is going to be the swinger - and it is!
One moment Ozone is playing straight then it becomes Monkish and then a sort of ragtime cum stride chorus. Tom Walsh takes it up blowing hard bop trumpet followed by Ozone swinging his butt off throwing in a couple of bars of Honeysuckle Rose! A slower, out of tempo, go at the original - this, maybe, is Mozart playing after hours in the bierkeller. Some shouting trombone from Chris Grieve then Ozone takes it on a Night Train ride. More soprano from Pattison then Cosker builds up his drum solo telling the jazz people the end is nigh bringing the band in at fff telling the classical people it will soon be over but not before Ozone returns to give a few quirky bars of cocktail piano, some more stride before reassuring Mozart that all's well at the Queen's Hall in Edinburgh.
An album that will surely delight open minded jazzers and classicists alike.
SNJO w. Makoto Ozone - JEUNEHOMME Mozart's Piano Concerto No 9 K-271 will be available on Spartacus Records from July 31.
Lance.
Makoto Ozone (pno); Tommy Smith (ten/fl/MD), Konrad Wiszniewski (ten), Ruaridh Pattison (alt/sop), Martin Kershaw (alt/clt), Bill Fleming (bar); Cameron Jay, Tom MacNiven, Tom Walsh, Lorne Cowieson (tpts); Chris Grieve, Phil O'Malley, Michael Owers (tmb) Calum Gourlay (bs), Alyn Cosker (dms).

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance