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Bebop Spoken There

Curtis Stigers: “I’m a jazz singer. I’m not a saxophonist. When I stand in front of a band like the Danish Radio Big Band or Ronnie Scott’s, I usually tend to leave the instrument on the stand.” – (The Northern Echo 20 July 2017)

Tamsin Austin, Director of Performance Programme, Sage Gateshead: “SummerTyne is our largest festival and we absolutely love it!” – (The Northern Echo 20 July 2017)

Today Saturday July 22

Afternoon
SummerTyne Americana Festival 2017 - Sage Gateshead. Day two of three. Details. From 12 noon all day.
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Evening
Steve Glendinning (solo guitar) - Cherry Tree, 9 Osborne Rd., Jesmond, Newcastle NE2 2AE. 7:30pm. No cover charge.
The Hookahs - Billy Bootleggers, Nelson St., Newcastle NE1 5AN. 9pm. Free.
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Big Chris Barber Band - Alnwick Playhouse. 7:30pm. £21.50/£20.50.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, July 24, 2015

CD Review: Slowlight Quartet - Live at Manchester Jazz Festival

Paul Loraine (keyboards), Tom Quilliam (saxophone), Ian ‘Dodge’ Paterson (bass) & Jonathan Marriott (drums)
(Review by Russell)
Live at Manchester Jazz Festival is the Slowlight Quartet’s follow-up to the five track EP In Flight. The ‘live’ element is particularly welcome as the band is best heard performing in front of an audience. Composer-in-chief Paul Loraine wrote six of the seven tracks, the seventh is from the pen of saxophonist Tom Quilliam. The Slowlight sound is that of Paul Loraine’s tunes evolving from considered piano, saxophone or bass intros, developing the group sound.
Tom Quilliam’s scorching tenor emerges on several numbers – notably Walking Spanish, This Time and Shifting Ground – burning brightly, then dimmed, subservient to the group dynamic. This is expertly executed stuff; Ian Paterson’s bass playing the foundation, as is Jonathan Marriott (drums) whose driving sticks-work on Shifting Ground sustains a level of excitement appreciated by the 2014 Manchester Jazz Festival crowd.
Quilliam’s This Time hears the composer go through the gears; on this and the remaining six tracks, Paul Loraine’s reassuring presence keeps a tight reign on his band mates, thus retaining the Slowlight Quartet’s hugely impressive and instantly identifiable sound. 
Russell.
The Slowlight Quartet – Live at Manchester Jazz Festival (Jazz Sound Records Cat. No. JSR002) is available now.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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