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Bebop Spoken There

Miles Kington: "If the intake of alcohol fails to improve a jazz player's performance, why do jazz listeners think it improves their appreciation?" - (Jazz Express October 1982).

Barbara Jay: "My first gig was at the Astoria, Charing Cross Rd. It seemed like a den of iniquity to me. All the Soho girls were there and the gigolos with their old women paying them to dance..." - (Jazz UK May 2008.)

Archives.

Today Monday February 27

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
Evening.
???????
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, July 17, 2015

CD Review: Miles Davis @ Newport 1955-1975 - THE BOOTLEG SERIES VOL. 4

(Press release)
Miles Davis’ 20-year association as an artist at impresario George Wein’s renowned Newport Jazz Festival is a thriving tradition that will be celebrated with the release of MILES DAVIS AT NEWPORT 1955-1975: THE BOOTLEG SERIES VOL. 4.  The four-CD box set, comprised of live performances by Miles’ stellar band line-ups in 1955, 1958, 1966, 1967, 1969, 1971, 1973, and 1975, in Newport, Rhode Island, New York City, Berlin, and Switzerland, will be the lynchpin for a 60th anniversary commemorative weekend of events at this summer’s annual Newport Jazz Festival (July 31, August 1 & 2).  Ahead of the festival, MILES DAVIS AT NEWPORT 1955-1975will be available everywhere on Friday, July 17 -- 60 years to the date since Davis’ breakthrough performance at Newport in 1955 -- through Columbia/Legacy Recordings, a division of Sony Music Entertainment. 
The newest entry in Columbia/Legacy Recordings’ critically-acclaimed Miles Davis Bootleg SeriesNEWPORT 1955-1975 clocks in at 296 minutes, nearly four hours of which is previously unreleased.  From Miles’ debut performance at NJF in 1955 (a hastily arranged jam session featuring Thelonious Monk and Gerry Mulligan, that immediately led to the trumpeter’s Columbia signing), to his final public perform­ance of the ’70s in 1975 (at Lincoln Center during NJF-NY, the singular “Mtume” named for Miles’ favoured percussion­ist of that decade), the box set traces the ascendance of Miles’ music as the ne plus ultra of jazz.  The full-length concert performances alone of Miles’ famed “Kind Of Blue” Sextet (with Cannonball Adderley, John Coltrane, Bill Evans, Paul Chambers, and Jimmy Cobb), and ‘second great quintet in ’66 and ’67 (with Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams) represent templates that reverberate in jazz and popular music to this day.
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(Editor’s note): With five hours of playing time I’ve yet to find an opportunity to listen to the full collection (received via download) but what I’ve heard so far – the jam sessions with Zoot, Gerry, Monk etc. - is great stuff and with the sessions by the Kind of Blue band and the later groups to look forward to this one of the classic collections worthy of inclusion in anyone’s collection.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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