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Bebop Spoken There

Vadim Neselovskyi, Professor of Jazz Piano, Berklee College of Music: “Every pianist has to deal with a very complex left-hand part at some point. This is the essential pianistic experience – to split your brain into two halves and execute two very different tasks at the same time.” – (Down Beat September 2017).

Roscoe Mitchell: “To me, improvisation is trying to improve your skills so you can make these on-point compositional decisions. That takes practice.” – (Down Beat September 2017)

Archives

Today Monday September 25

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Classic Swing - Marquis of Granby, Streetgate, Sunniside NE16 5ES. 0191 4880954. 1pm. Free. New mainstream gig w. Bob Wade (trumpet); Olive Rudd (vocal) and other familiar faces.
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Alastair Lord (trumpet) & Kris Thomsett (organ) - St. Nicholas Cathedral, St. Nicholas Square, Newcastle NE1 1PF. 1:05. Free (retiring collection).
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Evening.
?????
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, July 11, 2015

CD review: Alex Hutton Trio - Magna Carta Suite

Alex Hutton (piano), Yuri Goloubev (double bass) & Asaf Sirkis (drums) + Neil Sparkes (vocals), Liz Palmer (baroque flute) & Liesbeth Allart (cor anglais)
(Review by Russell)
The Magna Carta Suite 800 years on. Listening to Alex Hutton’s latest CD one wonders if it’s a project he’s had in mind for some time. The worlds of classical and English folk music saturate this concept album. Twelve tracks with a total running time of thirty nine minutes, CD cover artwork incorporating the skills of the calligrapher and, perhaps, that of the lithographer, this F-IRE label release showcases the interests of a quintessentially English jazz musician.
Hutton is known for his freewheeling, swinging jazz piano playing. Magna Carta Suite features his regular trio – bassist Yuri Goloubev and dynamic percussionist Asaf Sirkis – playing, for the most part, in a restrained manner. The Court of King John wouldn’t have had any difficulty with the stately compositions and instrumentation on this CD. Baroque flute and cor anglais* take their place alongside the conventional instruments of a twenty first century jazz trio. Old Yew (the Magna Carta was signed under a yew tree) introduces Liz Palmer’s baroque flute. Liesbeth Allart’s cor anglais lends an authentic early music sound to the project on King John’s Hunting Lodge (one minute twenty three seconds in its brevity) and again on the closing track As Sunlight Passes (Old Yew). The closing two compositions feature the spoken word. Listed as ‘vocals’ in the CD notes, Neil Sparkes’ annunciation is that of a poet reading from a scroll. His words are printed on one side of the CD cover. Where’s the jazz? Try tracks five, six and seven. Track six – Gunpowder and Compass – is based on a theme from Bach’s Fugue in C minor. No question about it JS Bach was a proto jazz improviser! These three tracks, coincidentally (?) the longest on the CD, allow the core trio to stretch out and play some jazz. Asaf Sirkis generates huge energy, Hutton and Goloubev feed off it, this is the jazz on Magna Carta Suite.       
Magna Carta Suite is released on July 13 on the F-IRE label (F-IRECD 82).
Neil Sparkes’ Magna Carta Suite- Xerox Sonnets & X-Ray Blues is published by Hesterglock Press 2015.
Russell.
*Note – cor anglais is on track 4 (not listed in CD notes), in addition to tracks 2 and 9.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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