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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Sunday November 19

Afternoon.

Musicians Unlimited - Park Hotel, Park Rd., Hartlepool TS26 9HU. 01249 233126.1pm. Free.

Tyne Horns - Exchange, Howard Street, North Shields NE30 1SE. 3:00pm. Free. New saxophone quartet – Louise Lambert (alto & tenor), Tom Adams (alto & soprano), Colin Wise (tenor) & Col Smith (baritone).

Mitch Laddie Band - Tyne Bar, Maling Street, Newcastle NE6 1LP. Tel: 0191 265 2550. 3:00pm. Free. Blues band.

Blues @ The Bay - Tanner Smith's, 17-19 South Parade, Whitley Bay NE26 2RE, 0191 2525941. 4pm. Blues Jam w. Scott Wall & Charlie Philp.

Somethin' Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 01325 788564. 5pm. Weekly.
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Evening

Arun Ghosh + Steve Ojay - Sage Gateshead, St Mary’s Square, Gateshead NE8 2JR. Tel: 0191 443 4666. 8:00pm. £15.30. Sage Two.

Big Muddy - The Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. £5.

Paul Edis + Early Bird Band - Black Bull, Bridge Street, Blaydon NE21 4JJ. Tel: 0191 416 2846. 8:00pm. £5.00. Edis solo piano set followed by the Early Birds.

Toots and Littlefield - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, July 22, 2015

Bratislava Hot Serenaders @ Sage Gateshead July 21


(Review by Lance/Photos courtesy of Paddy M pictured right)
Russell, whose knowledge of Bratislavan musicians far exceeds my own, presented me with a probable personnel listing but, after enduring Rhapsody in Blue for 10 days (or was it 10 minutes?), I decided against deciphering the names - life's too short!

Apart from Gershwin, Duke Ellington was well represented as were the British bands of the period such as Jack Hylton and Carroll Gibbons. History has shown that, far from being poor relations, many English dance bands of the 1930s could hold their own alongside their American contemporaries.
Apart from Gershwin's folly, the rest of the show was magnificent and, to  his credit, Gershwin was shown at his best in I Got Rhythm, Our Love is Here to Stay, Deed I Do and the little known, Delishious - it was! Our Love is Here to Stay was poignantly dedicated to the late Mike and the very much present Patti Durham  who presented the Hot Serenaders at the Whitley Bay Jazz Festival a few years back
However, this wasn't a history lesson, although in many ways it was, this was an evening of nonstop entertainment by a band jampacked with ace soloists and vocalists.
Leader Juraj Bartos blew fiery trumpet and introduced each number with much humour, there were sax, clarinet, trombone, violin and piano solos - rarely more than one chorus (hallelujah!) - vocals and, of course, the Boswellian Serenaders Sisters who looked and sounded superb.
I closed my eyes and this wasn't Gateshead, it was the Cotton Club or the Savoy Hotel/Café de Paris.
One fabulous evening and in a style that will be near replicated (but not copied) this coming Sunday at Caedmon Hall, Gateshead, by the New Century Ragtime Orchestra. If you enjoyed the Hot Serenaders you'll enjoy NCRO but Hurry! Hurry! tickets are going fast...
Lance.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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