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Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

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Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

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Voting is now taking place for Nominations in the All Party Parliamentary Jazz Awards. Please take this opportunity to vote in the various categories including MEDIA where a vote for Bebop Spoken Here would be much appreciated.

Today Thursday June 21

Afternoon

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 266 6173. 1:00pm. Free.

Evening

Maine St. Jazzmen - Sunniside Social Club, Holywell Lane, Sunniside, Gateshead NE16 5NJ. 8:30pm. Free.

Indigo Jazz Voices - The Globe, 11 Railway Street, Newcastle NE4 7AD. 7:30pm. £5.00.

Lambton Little Band - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. 7:00pm. Free. Rehearsal session.

Lindsay Hannon Plus - St James’ & St Basil’s Church, Fenham, Newcastle NE4 9EJ. 7:30pm. £10.00.

Charlotte Glasson Group - Jazz Café, Pink Lane, Newcastle NE1 5DW. Tel: 0191 222 9882. 8:00pm. £10.00. (£8.00. concs.). JNE.

Get in the Band rehearsal - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4666. 6:00-10:00pm. Second of two rehearsals under the direction of Chris Sharkey culminating in three performances in a day on Sat 23 June - 1) Great North Museum (Hancock Museum), 2) Central Station, 3) Sage Gateshead. Times TBC. Free but ticketed.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Tees Hot Club w. Ray Dales (alto); Dave Stansfield (tenor); Bruce Taylor (keys) - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9pm. Free.

Jazz Jam - Fire Station, High Street West, Sunderland SR1 3DT. Tel: 0191 594 7241. 8pm. Free.

Billy's Buskers: Plug in and Play - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 7:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, July 17, 2015

Benny Goodman and Glenn Miller at Carnegie Hall 1939 @ The Gala Theatre, Durham. July 16

(Review by Russell).
Durham Brass Festival 2015 presented a recreation of the legendary 1939 Carnegie Hall showdown between Benny Goodman – the King of Swing – and the latest challenger to his throne – Glenn Miller. The Gala Theatre near to capacity, the band’s MC Pete Long said it seemed rather odd to be playing a concert at two o’clock on a summer’s afternoon. The orchestra comprised many of the big hitters on the London scene. As the band struck up Don’t Be That Way it was with an unoccupied trombone chair, obvious for all to see. Thanks to the inadequacies of the rail network Callum Au was nowhere to be seen. Long suggested the audience applaud upon his arrival. Two numbers in…huge applause as the casual Au strolled out and took his seat in the section for the first set (a Goodman set).
The band restored to a full compliment, One O’clock Jump made the joint jump. Trumpet section work of the highest order, led by Nathan Bray, featured the first of several superb solos from George Hogg. To their left stood Ryan Quigley – the betting was he wasn’t on the gig for the ride. A box of fire works was surely at his feet.
MC Long is a fine soloist. He featured in a Goodman trio setting on China Boy – clarinet, guitar and drums. Long also possesses a dry, witty line in repartee. He introduced the boy band singer…the ever-youthful Chris Dean. A tremendous trombone player, Dean could sing alright. The Goodman set flew by…Down South Camp Meeting (cue innuendo from the mischievous Long) and a scorching Sing Sing Sing brought the curtain down on a fine first set.
Interval chatter in the bar – a good set, great players…oh, Miller next! Well, don’t knock it ‘til you’ve tried it. Moonlight Serenade – the first few bars, then Running Wild with big tenor from Dean Masser. A further vocal feature for the boy band singer Chris Dean on a well received Stairway to the Stars highlighted Pete Long’s observation that the musicians on stage at the Gala were the same – first set, then second set, yet the sound was different due to their musicianship and the material they were playing. Long’s comment that Miller delivered a punter-friendly sound, and that he was clever in doing so, registered with your reviewer. Goodman played jazz, but so too Miller in his own way, with, as Long said, ‘the rough edges taken off it’. Certainly this ‘mature’ Gala Theatre audience loved every tune, be it Goodman or Miller. Discerning? Who cares? In the Mood…walking sticks waving, zimmer frames discarded, they were up – slowly – reliving something or other. A finale heard the same tune twice. Clever stuff from Long. Bugle Call Rag Miller-style, then by way of comparison, the Goodman take. Hear the difference! Hear Ryan Quigley. Didn’t you know he’d try and blow the roof off?!
The main man driving, if not conducting, the whole thing, Richard Pite gave a flawless performance. One remarkable feature of this Durham Brass Festival concert…the entire band played acoustically, including double bassist Calum Gourlay! It just goes to show, volume isn’t everything. A rare treat.    
Russell.
Pete Long (MC & clarinet), Dean Masser (tenor saxophone & clarinet), Paul Nathaniel (tenor saxophone & clarinet), Colin Skinner (alto & clarinet), Peter Ripper (alto saxophone & clarinet), ? (alto saxophone & clarinet),  George Hogg (trumpet), Nathan Bray (trumpet), Ryan Quigley (trumpet), Chris Dean (trombone & vocals), Andy Flaxman (trombone), Callum Au (trombone), ? (guitar), Bunny Thompson (piano), Calum Gourlay (double bass) & Richard Pite (drums)

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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