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Bebop Spoken There

Danny Gatton: "I was tired of playing in beer joints. I wanted to do something tangible like building cars. But once you do music it gets into your blood. You can get away from it for awhile but sooner or later it comes back to you." - (Down Beat April 1991).

Tal Farlow: "There were times when I would stop [playing guitar] and do sign painting." - (Downbeat December 5, 1963)

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Today Tuesday August 22

Afternoon
??????
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Evening
Charles Gordon (solo piano) - Redwood Bar, Vermont Hotel, Newcastle. 10pm - midnight. Free.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, July 05, 2015

Belinda Voshtina and Alan Law @ The Jazz Café - July 4

Belinda Voshtina (vcl); Alan Law (pno).
(Review by Lance/photo courtesy of Mike Tilley to follow.)
Belinda Voshtina emerged upon the local scene via low key appearances in student bands (The Henchmen/The Shafafa Trio/Dropping Bombs); blues bands (The Narrators); Latin bands (Burundanga); big bands (Strictly Smokin') and various jam sessions - no doubt there have been others over the past 3 years since graduation. This melting pot of influence and experience provided the multi-lingual singer with the confidence and the ability to handle most gigs even exposed ones such as the Saturday night duo spot at the Jazz Café (Saturday Night is the Noisiest Night of the Week could be the theme song!)
With only Alan Law for support (only?!) Ms. Voshtina gave an assured performance of familiar material in both English and Portuguese.
Songs included Dindi; There Will Never be Another You; Black Orpheus; Georgia on my Mind; Sway; Moondance (a few bars of scatting thrown in); a Sergio Mendes tune (I didn't catch the title); Summertime  (what kept you? I wondered); Comes Love; At Last â la Etta James. This latter number displayed, I felt, the real Belinda Voshtina. A rusty nail, broken bottle edge to her voice, the lady achieved the near impossible - temporarily silencing the barflies! For a Kiss; Autumn Leaves and Gee Baby Ain't I Good to You followed bringing my evening to a close.
An evening that, despite Belinda's beautiful performance, couldn't have happened without the talents of Alan Law. A compelling and inventive soloist and a sensitive and sympathetic accompanist, Alan and Belinda, with minimal (if any) rehearsal, gave those of us with bigger ears and smaller mouths (metaphorically speaking) a very satisfying evening.
Lance.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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