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Bebop Spoken There

Buddy Rich: "You either swing a band or you don't swing a band - (Metronome April 1956).

Sinclair Traill: “Well I don't think he (Chet Baker) can sing either.” – (Jazz Journal August 1956).

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

Today December 14

Afternoon

Interim Recitals (Final Year Music Students) - Recital Room, Armstrong Building, Newcastle University NE1 7RU. Inc. Ben Richardson (jazz piano) 10:00am.

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 266 6173. 1:00pm. Free.

Evening

Christmas Swing w Danny Reed - Customs House, Mill Dam, South Shields NE33 1ES. 7:00pm. £18.95.

Indigo Jazz Voices - The Globe, 11 Railway Street, Newcastle NE4 7AD. 7:30pm. £5.00.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Maine Street Jazzmen - Potter’s Wheel, Sunniside, Gateshead NE16 5EE. Tel: 0191 488 8068. 8:30pm. Free.

Tees Hot Club w. guests - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free.

Durham University Big Band - Riverside Bar, Dunelm House, New Elvet, Durham DH1 3AN. 8:30pm (doors 8:00pm). Free admission. The band’s ‘Jazzy Christmas 5’.

WCEA Big Band - Whitburn Church of England Academy, Whitburn SR6 7EF. Tel: 0191 529 3712. 7:00-9:30pm. £4.00. (£10.00. family of three). Tickets must be purchased in advance by December 8th. ‘Christmas Swing-a-long’ to include school choir. Whitburn Academy competes regularly at the annual Great North Big Band Jazz Festival.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, June 14, 2015

Brian Molley Quartet @ the Globe, Newcastle. June 13

Brian Molley (ten/sop/clt); Tom Gibbs (pno); Mario Calibe (bs, uke); Stuart Brown (dms).
(Review by Lance).
From the opening bars of Get Happy, the chosen few - and we did feel privileged - knew that there was an evening of musical delight ahead. So what that some folks had opted for Kid Creole and the Coconuts at the Bowling Club, Mrs Brown's Boys at the Arena or Matt [Anderson] and Paul [Edis] at the Jazz Café instead of the swingingest band this side of New York (a situation soon to be changed as BMQ are off to NY to play the Rochester International Jazz Festival next Sunday as well as a couple of other Big Apple gigs)? We knew who'd got the best deal!

The Destinesia (of Fred and George): a Molley original inspired by the lives of Chopin and George Sand oozed lyricism, Molley's dry sound brought Warne Marsh to mind. Mrs Brown's boy Stuart, using mallets, brought in  Iris and her Bow (Beaux?) - a gentle Brazilian breeze that wafted across the intimate surrounds of the Globe Jazz Bar.
The mood changed for Chance of Chan and Molley switched to soprano for this portrait of Charlie Parker's widow. A boppy opus that could easily have been mistaken for a Bird rather than a Brian original.
Cara y Cruz brought the set to a close with belters from all four guys.
A chance to chat with Brian Molley and to wish him well for his trip across the pond.
The strangely titled When I Talk About Swimming opened the second set followed by  a gorgeous September Song. The Kurt Weill piece is one of the best, if not the best, of the 'third season' songs and Molley did it justice. This was ballad playing to die for! So too was Caribe's bass solo...
More balladry with What'll I Do? followed by Para Praxis. Molley blew a long cadenza before the latter kicked off and it was a deserving finale to an evening of sheer magic.
Of course when the band say, finale, we all know it isn't and the four troupers gave us Om Dois Troi which had Molley on clarinet and Caribe on cavaquino which looked like a deep bodied ukulele.
It was a brief jaunty trip through the rainforests of Brazil before dispatching us off into the rain jungles of Newcastle city centre.
Throughout the gig Tom Gibbs, quiet and reticent, played some amazing piano - sympathetic and always on the money. Brown and Caribe too - could you wish for a better rhythm section?
Come back soon and bring some Glaswegians with you!
Lance.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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