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Bebop Spoken There

Vadim Neselovskyi, Professor of Jazz Piano, Berklee College of Music: “Every pianist has to deal with a very complex left-hand part at some point. This is the essential pianistic experience – to split your brain into two halves and execute two very different tasks at the same time.” – (Down Beat September 2017).

Roscoe Mitchell: “To me, improvisation is trying to improve your skills so you can make these on-point compositional decisions. That takes practice.” – (Down Beat September 2017)

Archives

Thursday September 21

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:oopm. Free.
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Tees Valley Jazzmen - White Horse Hotel, Burtree Lane, Harrowgate Hill, Darlington DL1 3AD. 1:30pm. Free. 01325 463262.

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Evening.
Maine Street Jazzmen - Potter's Wheel, Sunniside NE16 5EE. 8:30pm. Free.
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Courtney Pine: Black Notes from the Deep - Sage Gateshead NE8 2JR. 7:30pm. £25.60. 0191 4434661.
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Katie Mac (w. 6 piece band) - The Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. Free.
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Emma Fisk & James Birkett - St. Cuthbert's Church, Shadforth DH6 1LF. 7:30pm.
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Pocket Jazz Orchestra: Jazz & Tapas - No. 60, Arc, Dovecote St., Stockton TS18 1LL. 7pm. £10.
Tees Hot Club w. Alan Marshall (saxes); Kevin Eland (trumpet); Ted Pearce (keys) - Dormans, Oxford Rd., Middlesbrough TS5 5DT. 9pm. Free.
New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, May 09, 2015

Linda Sharrock Group/Knotts/MacCalman and Pope @ Black Swan, Newcastle. - May 7, A JNE ‘Women Make Music’ presentation

Linda Sharrock (voice); Mario Rechtern (saxophones); Derek Saw (trumpet & flugelhorn); John Jasnoch (guitar); Charlie Collins (drums & percussion).
(Review/photos by Ken Drew.)
The quartet of guitar, brass (various) and drums played fervently with regular and sometimes sporadic interjections from Linda’s vocalese in the form of wailing, screaming, moans and whelping. Linda‘s soaring, swelling sound is just as penetrating as it is striking. The many repetitions of short phrases served to drive the quartet into searching deep into the corners of the soaring, swirling and dynamic soundscape they created.
A superb performance. Yet energy draining to an extent that it was an endurance test of voice, quartet and indeed audience of how to hold everyone’s attention with much repetition, yet not, with screaming, yet varied, and with shrill-energy draining and exhausting vocals, yet not.   What a very powerful performance, not just by Linda but by the whole ensemble who were perfectly matched - Berlin born saxophone master Mario Rechtern together with leading UK improvisers Charlie Collins, John Jasnoch, and Derek Saw.  Amazing.  And yet another improv gig which will leave a lasting impression.

Shelley Knotts (electronics); Faye MacCalman (tenor sax); John Pope (bass)
Earlier, the trio of Knotts, MacCalman and Pope,  playing an opening set of around 30 minutes, gave a unique performance, proving themselves to be some of the most interesting young players on the local improvised music scene. I can’t do justice to the performance but the ebb & flow of background electronics nicely complemented the Bass and Sax interplay, with solos along the way. Hopefully we’ll see them again soon with our appetites suitably whetted! Ken.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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