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Bebop Spoken There

Buddy Rich: "You either swing a band or you don't swing a band - (Metronome April 1956).

Sinclair Traill: “Well I don't think he (Chet Baker) can sing either.” – (Jazz Journal August 1956).

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

Today December 14

Afternoon

Interim Recitals (Final Year Music Students) - Recital Room, Armstrong Building, Newcastle University NE1 7RU. Inc. Ben Richardson (jazz piano) 10:00am.

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 266 6173. 1:00pm. Free.

Evening

Christmas Swing w Danny Reed - Customs House, Mill Dam, South Shields NE33 1ES. 7:00pm. £18.95.

Indigo Jazz Voices - The Globe, 11 Railway Street, Newcastle NE4 7AD. 7:30pm. £5.00.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Maine Street Jazzmen - Potter’s Wheel, Sunniside, Gateshead NE16 5EE. Tel: 0191 488 8068. 8:30pm. Free.

Tees Hot Club w. guests - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free.

Durham University Big Band - Riverside Bar, Dunelm House, New Elvet, Durham DH1 3AN. 8:30pm (doors 8:00pm). Free admission. The band’s ‘Jazzy Christmas 5’.

WCEA Big Band - Whitburn Church of England Academy, Whitburn SR6 7EF. Tel: 0191 529 3712. 7:00-9:30pm. £4.00. (£10.00. family of three). Tickets must be purchased in advance by December 8th. ‘Christmas Swing-a-long’ to include school choir. Whitburn Academy competes regularly at the annual Great North Big Band Jazz Festival.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, May 21, 2015

Kurt Elling with the Scottish National Jazz Orchestra @ Sage Gateshead. May 20

(Review by Russell)
It is rare to be in the presence of a genuine superstar. On Wednesday evening one such occasion occurred at Sage Gateshead. The Scottish National Jazz Orchestra once again graced the stage in the world-class surroundings of Hall One on the banks of the Tyne. Master of Ceremonies George Duncan introduced the band, led by its Artistic Director Tommy Smith, to present a concert celebrating the centenary year of the birth of Frank Sinatra featuring special guest star Kurt Elling.
To describe Kurt Elling as a ‘special guest’ doesn't begin to attest to the singer’s global status; the vocalist from Chicago, Illinois, is, indisputably, top of the list, number one. The American strolled out into the spotlight in bespoke light grey, check suit and tan shoes. Sixty five minutes later the first set drew to a close. Elling sang without a break, never leaving the stage, the epitome of class. The baritone voice opened the programme with I Only Have Eyes For You. Fabulous, absolutely fabulous. Day In, Day Out. More fabulous singing, a man in total command of his art. The SNJO, perhaps the finest band in Europe, gave Elling everything he could possibly desire of an ensemble. Well known names peppered the sections: Tommy Smith and his fellow reeds of  Konrad Wisznieski, Martin Kershaw, Paul Towndrow and Bill Fleming; trombone men Chris Grieve and the hirsute Michael Owers; Tom MacNiven and Cameron Jay (trumpets) and one of the best rhythm sections around led by Brian Kellock (piano), new boy Joe Williamson (guitar), the very hirsute Calum Gourlay (double bass) and the pocket battleship, drummer Alyn Cosker.
Witchcraft, a dynamic Luck Be a Lady, The Good Life, Nelson Riddle’s arrangement of All or Nothing, then, same arranger, Summer Wind (the rich baritone simply wonderful), every tune out of this world. How about Night and Day? A favourite tune, magnificent! The interval consensus: magnificent! Collective surprise at, and admiration of, Elling’s stamina. Second set…
Altoist Martin Kershaw stepped out front to solo on a Lawrence Hobgood arrangement of Come Fly with Me (very much Elling’s personal take on the timeless number). You Make Me Feel So Young (the excitement was palpable, your reviewer’s notes: WOW!). Konrad Wiszniewski impressed as Elling implored: Get Me to the Church on Time. This being a Sinatra (Elling/Sinatra) show, My Kind of Town was kinda inevitable, and none the worse for it.
The orchestra performed brilliantly (as one has come to expect), Tommy Smith for once played second fiddle (tenor sax) to Kurt Elling. A word about Joe Williamson (guitar), a young musician studying in Scotland, schooled in the Tees Jazz Delta, it was just great that Smith informed the young man he was ready to make his debut with the band at Sage Gateshead. The north east of England is a hotbed of talent, no doubt about it. A new arrangement, again a personal take by Elling, of I Only Have Eyes For You featured a superb flugelhorn solo by Lorne Cowieson. Solo spots were limited as the focus of attention for much of the evening was, rightly, on the magnetic Kurt Elling.
Kurt Elling is a superstar, Frank Sinatra is a legend. Different eras, differing styles. One should avoid comparison, they stand alone as imperious performers. Gig of the Year. 
Russell.
Kurt Elling (vocals), The Scottish National Jazz Orchestra: George Duncan MC,
Tommy Smith MD (tenor saxophone, flute), Konrad Wiszniewski (tenor saxophone, clarinet & flute), Martin Kershaw (alto saxophone, clarinet & flute), Paul Towndrow (alto saxophone & flute), Bill Fleming (baritone saxophone & flute), Tom Walsh (trumpet), Tom MacNiven (trumpet), Cameron Jay (trumpet), Lorne Cowieson (trumpet & flugelhorn), Chris Greive (trombone), Kieran McLeod (trombone), Phil O’Malley (trombone), Michael Owers (trombone), Brian Kellock (piano), Joe Williamson (guitar), Calum Gourlay (double bass) & Alyn Cosker (drums)

3 comments :

Debra Milne (on F/b) said...

I think Russell might have enjoyed the gig!

Kath Jobes said...

Yeah so much that Elling got an additional L in his name lol ;-)

Lance said...

Well spotted Ms Spell-Check - you've got the job(es). Now corrected.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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