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Bebop Spoken There

Danny Gatton: "I was tired of playing in beer joints. I wanted to do something tangible like building cars. But once you do music it gets into your blood. You can get away from it for awhile but sooner or later it comes back to you." - (Down Beat April 1991).

Tal Farlow: "There were times when I would stop [playing guitar] and do sign painting." - (Downbeat December 5, 1963)

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Today Monday August 21

Radio
Radio 3: Jazz Now. Live from Pizza Express, Soweto Kinch featuring Andy Sheppard/Carla Bley/Steve Swallow. 11pm.
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Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Evening.
?????
To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, May 14, 2015

CD Review: Joshua Breakstone - 2nd Avenue: The Return of The Cello-Quartet

Joshua Breakstone (gtr); Lisle Atkinson (bs); Andy Watson (dms); Mike Richmond (cello - on five tracks).
(Review by Lance).
A touch of nostalgia as I glanced at the sleeve - "Joshua Breakstone uses Ernie Ball strings exclusively". If I'd had a lousy dime for every set of Ernie Ball Super Slinky's I'd sold during my 30 year incarceration in Newcastle's Central Arcade I'd be worth a bob or two (well maybe one bob).
I don't suppose Joshua Breakstone ever bought any Super Slinkys from me, him being 3000 miles away, which is a pity because, if he had done, I'd have been able to claim to have had some involvement in one of the most listenable guitar albums I've heard since Charlie Christian showed the way.
This is guitar playing as cool as Stan on tenor or Chet on trumpet, music that makes you want to lay back and luxuriate in the sounds with maybe a G & T to hand.
We've also got a cello in the mix which is great. I've long advocated the cello - not as a double bass substitute - but as a frontline horn which is what we get here.
Bass players such as Harry Babasin, Oscar Pettiford and Sam Jones have dabbled with cello so it is far from being a first. Nevertheless, it's a worthy successor to these earlier efforts although I'd have preferred more arco and less pizzicato (I find I made a similar comment in my review of their previous album - With the Wind and the Rain) - still, I doubt if the boppy heads would have been as clean if the instrument had been bowed so what do I know!
The five tracks with cello are Thingin' (Konitz); Home (Cannonball); I'm an Old Cowhand (Mercer); Evergreenish (Dexter) and Hit It by bassist Atkinson..
The trio numbers are I Wish I Knew (Harry Warren/Mack Gordon); The Lamp is Low (Ravel and others); My Conception (Sonny Clark) and a Breakstone original 2nd Ave: Blues For Imahori.
Breakstone describes the quartet as A Chamber Jazz Foursome and I see no reason to quibble although I would have referred to it as The Chamber Jazz Foursome!
Recommended!
Lance.
Joshua Breakstone - 2nd Avenue: The Return of The Cello-Quartet available from May 21 on Capri Records.

1 comment :

  1. Lance,

    Thanks for paying attention!

    Keep writing your fun and informative stuff....

    Best,

    Joshua

    ReplyDelete

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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