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Bebop Spoken There

Alan Broadbent: “I really enjoy working with some singers. It depends. Again, there has to be a give and take between the two of us. Otherwise, it’s just a job and I’m too old for that now.”(Jazz Times February 2015).

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Alan Broadbent: “As soon as I heard where Georgia [Mancio] was coming from, and the tradition in terms of songwriting and her appreciation of standards, it was basically the same as mine.” – (Jazzwise April 2017)

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Archives.

Today Thursday March 30.

Afternoon
Vieux Carré Jazzmen - The Holystone, Whitley Rd., Holystone, Newcastle (ish) NE27 0DA. 1pm. Free.
Evening.
Maine St. Jazzmen - Potters Wheel, Sunniside, Gateshead NE16 5EE. 8:30pm. 0191 4888068
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Strictly Smokin' Big Band- The Millstone, Haddrick's Mill Rd., South Gosforth NE3 3DB. 7pm. Free.
Pasadena Roof Orchestra - Customs House, Mill Dam, South Shields NE33 3NG. 7:30pm. £19/£17.50 (conc.)
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Tees Hot Club w. Bruce Taylor (keys); John Brett (tenor); Ray Dales (alto) - Dorman's, Oxford Rd., Middlesbrough. 9pm. Free.
New Orleans Preservation Jazz Band - The Oxbridge, Oxbridge Lane, Stockton on Tees. 8:30pm.
Paul Skerritt Band - Pennyweight, Bakehouse Hill, Darlington DL1 5QA. 9pm. Free.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, April 13, 2015

GIJF Day Two: The Jazz Co-op Stand and other Matters

Today it was my turn to serve on the Jazz Co-op stand for a couple of hours, an activity which allows you to hear the Concourse music, people watch, chat to all sorts and conditions of men (and women), besides of course drumming up support for the Jazz Co-op gigs. (And folks, remember, you’ll get tax relief if you invest in the Co-op).  Anyway, talking of chatting to women, Joan Parker and I met Marianne, a music student from Tynemouth who is studying in Edinburgh, and we had an in depth discussion about women’s singing and the differences in singing classically, pop music and jazz singing.  This is why I love doing stands, you never know what you’ll get to talk about.
The varied range of Concourse music continued delightfully with You and The Night and The Music from The Ruth Lambert Trio, followed by other jazz standards. The Mark Cray Band had an exciting sound of saxes, trumpets, tuba, trombone, and of course drums, with Latin rhythms, repeated riffs.  Then came Alex Saxon and Jack Forster on guitar and flute, the latter reminding me a bit of Jethro Tull of yesteryear.  Their tunes included Moondance and Mr Bojangles.
I’d heard of King Bee but this was the first time I’d actually seen them, not to be the last, I say.  Vibes, two guitars, horns, flute drums, another exciting sound, funky fusion, insistent riffs and even songs.  What’s not to like on the Concourse, never mind the gigs in the Sage Halls?
Ann Alex

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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