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Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

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Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

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Today Friday June 22

Afternoon

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Alice Grace Trio - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Ushaw Ensemble - Lit & Phil, Westgate Road, Newcastle NE1 1SE. Tel: 0191 232 0192. 1:00pm. £5.00.

Evening

Emma Fisk & Paul Edis - Ushaw College, Durham DH7 7DW. 7:30pm. £7.00

Julija Jacenaite Trio - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8pm. Free.

Q&A: Eric Burdon & Hilton Valentine - Castle Gate, Melbourne Street, Newcastle NE1 2JQ. Tel: 0191 233 2288. 7:00pm. £30.00. (£50.00. VIP ‘Meet & Greet’ inc glass of fizz & photo with Burdon & Valentine). Tex Leon & Friends will perform at the event.

Stax Brothers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, April 11, 2015

GIJF Day One: Stan Tracey’s Under Milk Wood

Bobby Wellins (tenor saxophone), Steve Melling (piano), Andy Cleyndert (double bass), Clark Tracey (drums) & Ben Tracey (narration.)
(Review by Russell/photo courtesy of Ken Drew)
First night of the festival and Hall Two was near, as damn it, full to capacity. No real surprise given that one of the seminal works of British jazz was being revisited by a stellar line-up. Stan Tracey’s Under Milk Wood is fifty. Recorded in 1965, composer Tracey is no longer with us, but the tenor saxophonist on the recording date – Bobby Wellins – continues to perform, his powers undiminished.
The first set featured, effectively, the Bobby Wellins Quartet. The genial Scot clearly took great pleasure in leading an A-list band. Pianist Steve Melling played Melling, a good idea too, as who could emulate Stan Tracey? A fine pianist in his own right, the frame a little fuller, Melling’s flowing lines, light of touch, echoed those of Wellins.
A handful of tunes, forty five minutes flew by. Bass and drums – Andy Cleyndert and Clark Tracey – have worked together for years. The pair look little different from days gone by; Cleyndert now wearing spectacles (his music stand some distance from eyes), Tracey’s hang-dog visage much the same as it’s always been. Set highlights included Lover Man and an achingly good It Never Entered My Mind.
What to say about the Dylan Thomas-inspired work heard second set? The album (the original vinyl issue a collector’s item) has entered British jazz lore. Hearing B Wellins (tenor saxophone) play it live was a privilege. The Tracey family dynasty maintained a connection to the piece – drummer Clark and grandson Ben as narrator. Clark has it in DNA, Ben, word perfect, similarly has inherited the family jazz gene. I Lost My Step in Nantucket is a rarity – a British jazz standard, that’s the hallmark of Under Milk Wood. Thomas’ dark comic verse, delivered impeccably by Ben Tracey, frequently elicited a chuckle in the dimmed auditorium. It was, surely, as the author intended. The jazz was superb; solos punctuated the drama, the audience aware that on this occasion, applause should be reserved for an appropriate pause in the story. Under Milk Wood is a work to be heard on special occasions, this the 50th anniversary year, is one of them. Gateshead Jazz Festival got it right – an ‘I was there’ occasion.
Russell.

2 comments :

Hugh said...

Exellent summary, Russell. I too was pleased that the applause was reserved for those appropriate breaks in the delivery of Under Milk Wood - apart from that one man in the front...

Ken Drew said...

We've all seen it, heard it and enjoyed it quite a few times - but it still has a freshness when played live to this day. For me, seeing Bobby smile at various points of the prose was priceless. Ken D.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
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Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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