Total Pageviews

Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Tuesday November 21

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free. New weekly mainstream session. 2 mins from Monkseaton metro.
-----
Evening

Jam session - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 0191 222 9882. 8:00pm Free. Session led by Mark Williams.

Omar Sosa + Seckou Keita - Sage Gateshead, St Mary’s Square, Gateshead NE8 2JR. 0191 443 4666. 8:00pm. £21.80. Sage Two.

Gypsy Jazz Jam - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. Doors 7:00pm. Free. ‘No audience as such – everyone is a player/musician or a gypsy!’

Charles Gordon - Vermont Hotel, Castle Garth, Newcastle NE1 1RQ. 0191 233 1010.

10:00pm. Free.

-----
To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, April 11, 2015

GIJF Day One: Stan Tracey’s Under Milk Wood

Bobby Wellins (tenor saxophone), Steve Melling (piano), Andy Cleyndert (double bass), Clark Tracey (drums) & Ben Tracey (narration.)
(Review by Russell/photo courtesy of Ken Drew)
First night of the festival and Hall Two was near, as damn it, full to capacity. No real surprise given that one of the seminal works of British jazz was being revisited by a stellar line-up. Stan Tracey’s Under Milk Wood is fifty. Recorded in 1965, composer Tracey is no longer with us, but the tenor saxophonist on the recording date – Bobby Wellins – continues to perform, his powers undiminished.
The first set featured, effectively, the Bobby Wellins Quartet. The genial Scot clearly took great pleasure in leading an A-list band. Pianist Steve Melling played Melling, a good idea too, as who could emulate Stan Tracey? A fine pianist in his own right, the frame a little fuller, Melling’s flowing lines, light of touch, echoed those of Wellins.
A handful of tunes, forty five minutes flew by. Bass and drums – Andy Cleyndert and Clark Tracey – have worked together for years. The pair look little different from days gone by; Cleyndert now wearing spectacles (his music stand some distance from eyes), Tracey’s hang-dog visage much the same as it’s always been. Set highlights included Lover Man and an achingly good It Never Entered My Mind.
What to say about the Dylan Thomas-inspired work heard second set? The album (the original vinyl issue a collector’s item) has entered British jazz lore. Hearing B Wellins (tenor saxophone) play it live was a privilege. The Tracey family dynasty maintained a connection to the piece – drummer Clark and grandson Ben as narrator. Clark has it in DNA, Ben, word perfect, similarly has inherited the family jazz gene. I Lost My Step in Nantucket is a rarity – a British jazz standard, that’s the hallmark of Under Milk Wood. Thomas’ dark comic verse, delivered impeccably by Ben Tracey, frequently elicited a chuckle in the dimmed auditorium. It was, surely, as the author intended. The jazz was superb; solos punctuated the drama, the audience aware that on this occasion, applause should be reserved for an appropriate pause in the story. Under Milk Wood is a work to be heard on special occasions, this the 50th anniversary year, is one of them. Gateshead Jazz Festival got it right – an ‘I was there’ occasion.
Russell.

2 comments :

Hugh said...

Exellent summary, Russell. I too was pleased that the applause was reserved for those appropriate breaks in the delivery of Under Milk Wood - apart from that one man in the front...

Ken Drew said...

We've all seen it, heard it and enjoyed it quite a few times - but it still has a freshness when played live to this day. For me, seeing Bobby smile at various points of the prose was priceless. Ken D.

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!