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Bebop Spoken There

More from Jazz Monthly:

John Postgate: "Oscar Peterson played a good solo in 1954..." - (Jazz Monthly August 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

Archives

Today Friday October 20

Afternoon
Rendezvous Jazz - The Monkseaton Arms, Front St., Monkseaton, Whitley Bay NE25 8DP. 1pm. Free.

Hand to Mouth: Lindsay Hannon & Bradley Johnston - Bishop Auckland Town Hall. 1:00pm. £5.00.

Vasilis Xenopoulos & Paul Edis - Lit & Phil, 23 Westgate Rd., Newcastle NE1 1SE. 1:00pm. £5.00.

Evening
Julija Jacenaite & Alan Law - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 9pm. Free.

King Bees - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.

Vasilis Xenopoulos & Nigel Price w Paul Edis Trio - Traveller’s Rest, West Auckland Road, Cockerton, Darlington. DL3 9ER. 8:30pm. £10.00. Opus 4.

Hot 8 Brass Band - Northumbria Students’ Union, Sandyford Road, Newcastle NE1 8SB. Tel: 0191 227 4757 (SU enquiries). 7:30pm. £20.35.

Twin Beam - Hidden Heights Creative Studio, Brandling Street, Gateshead NE8 2BA. 6:30pm. Tickets: £5.00. in advance from Arch 16 Café (next to High Level Bridge). An Oxjam Gateshead Bridges Quarter event. Multi bill, multi venue.

Beth Macari - Prohibition Bar, Brandling Street, Gateshead NE8 2BA. 6:30pm. Tickets: £5.00. in advance from Arch 16 Café (next to High Level Bridge). An Oxjam Gateshead Bridges Quarter event. Multi bill, multi venue.

Sting - Bamburgh Castle. 7:15pm. Tickets: £250.00. & £150.00. Acoustic. Charity gig.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, April 11, 2015

GIJF Day One: David Sanborn/Jon Cleary & Jon Scofield/New York Brass Band

David Sanborn (alt); Ricky Peterson (keys); Andrew Berry (bs); Micky Morota (gtr); Chris Coleman (dms); Paolo (perc).
(Review by Lance).
Sanborn is a blower, no mistake about it! If, in the unlikely situation that he went to the aprés festival jam at the Globe, the natives would take to the hills! Although maybe one or two of the local gunslingers would hang around. An amazing technique that allows him to sweep and soar with seemingly effortless ease marks him down as the giant that he is.
Or is he?
I have to be honest, I've heard Sanborn live three times and he always leaves me wanting just that little bit more - more feeling, that punch, that variation, the suggestion that maybe once - just once - he may overshoot the chord, hit something out of left field and prove he is human but it doesn't happen. He's a machine - if Sanborn blew a bum note  it would be apocalyptic. He didn't, so the four horsemen missed the gig although a couple of them would have added a bit of warmth to the proceedings. As it was, it was left to the solid sidemen to kick the gong around with Peterson outstanding on keys, Morota likewise and a rhythm section to die for. 
While the Earth didn't exactly move for me it did exhibit a slight tremor.
Jon Cleary (pno/vcl); John Scofield (gtr).
I'm unsure as to whether Cleary is a Kentish Man or a Man of Kent However, irrespective of which side of the Medway he hails from, his spiritual river is the Mississippi. Sitting at the Steinway singing and playing the blues as if he were in a honkytonk tavern on Bourbon Street, he connected!
The pairing with Scofield was, on paper, as bizarre as any of the duo settings the Jazz Café concocts on a Saturday night!
Fortunately, like most of the couplings at "The Caff", this one worked too. Scofield, better known for his work with Miles, Mingus and other contemporary icons (he's an icon among guitar buffs himself), adapted to the setting and delighted the audience with some dazzling solos and rich harmonic chording.
The festival had begun!
New York Brass Band.
Earlier, the New York Brass Band who are actually from Old York gave a spirited performance that, in the cavernous area known as The Concourse did them few favours acoustically. Having heard the NYBB in more sympathetic settings I know them to be a fine N'orlins style marching band dealing out excitement in (dirty) dozens.
As I left, James Birkett and Bradley Johnston were beginning their set and it sounded good but my carriage awaited.
Lance.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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