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Bebop Spoken There

More from Jazz Monthly:

Jack Cooke: "...neither Giuffre nor Jim Hall are even adequate jazz musicians, they are technically limited, and more importantly, seem unable to improvise logically" - (Review of a JATP concert. Jazz Monthly May 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

Archives

Today Wednesday October 18

Afternoon
Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.

Evening
Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.

Billy's Acoustic Blues - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free (weekly).

New Orleans Jazz at the Village Hall - Springwell Village Community Venue, Fell Rd., Gateshead NE9 7RP. 8:15pm. £3.

Glowrogues - Empty Shop, 35c Framwellgate Bridge, Durham DH1 3NJ. 8:00pm. Line-up Sam Healey (alto), Aaron Diaz (trumpet & electronics), Richard Foote (trombone), Ben Watte (keyboards), Dan Brew (guitar), Jamie Brewster (bass) & Jim Molyneux (drums)

Shannon McNally & Friends + Little Mo (Mo Scott) - Live Theatre Studio, Broad Chare, Newcastle NE1 3DQ. Tel: 0191 232 1232. 8:00pm. £10.00. Jumpin’ Hot Club gig.

Tees Hot Club - Cleveland Bay, 718 Yarm Rd., Eaglescliffe TS16 0JE. 9pm. Free.

Emma Fisk & Paul Edis - Ushaw College. 7:30pm. £7.00. Classical, jazz & tango. (CANCELLED)
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, April 11, 2015

GIJF Day One: The Concourse and Other Matters

(Review by Ann Alex/photos courtesy of Ken Drew).
The Jazz Festival began with me committing a criminal act. I chose a lovely chocolate chip muffin from the cafe, was distracted by meeting Russell, and promptly walked away without paying!  So many friends to meet, six in the first ten minutes, and all to the accompaniment of the New York brass band, which included what looked like an impertinent tuba. Not sure if I was entitled to the glass of wine I had at the press reception, so during the first half of Stan Tracy’s Under Milk Wood, I had half an ear listening for police sirens.  The Under Milk Wood music and readings in the second half were totally absorbing and entrancing – see Russell’s review.
James Birkett and Bradley Johnson
Guitar duo on the Concourse 10.15pm (part 1)
This began in the lively skilled manner that we’ve come to expect, with Blues For BJ.  Don’t know what Bradley has the blues about but it surely can’t be his guitar playing which is so, so good!  These two are so interesting to watch, working out who is playing which part, leading, call and response, trilling up and down scales, bass parts, and so on.  Next came Jobin’s Wave, beautifully played as people passing waved to the players, not sure how Jim and Bradley were supposed to wave back!  The 1920’s influence came on with Stringin The Blues, followed by a lovely slow ballad Farmer’s Trust.
The session was effectively rounded off with Jim’s composition, Suite No. 4, which was the sort of tune I love, moving along fast rather like a rapid walk along the street, building to a full lively climax.
Russell was able to stay till 11.15pm for Part 2 – over to him.
Ann Alex.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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