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Bebop Spoken There

Ken Peplowski: I try to play the clarinet like a clarinet and not like a guy doubling on another instrument.– (Down Beat July 2004).

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James Morrison: “I’m not a trumpet player that doubles on flugelhorn. I’m a musician that plays trumpet, flugelhorn, euphonium and the rest. – (Jazz Journal January 1992).

Archives.

Today Thursday January 19

Evening.
Maine St. Jazzmen - Potters Wheel, Sunniside, Gateshead NE16 5EE. 8:30pm. 0191 4888068.
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Tees Hot Club w. Jeremy McMurray (keys); Mark Toomey (alto). - Dorman's, Oxford Rd., Middlesbrough. 8:30pm. Free.
New Orleans Preservation Jazz Band - Oxbridge Hotel, Oxbridge Lane, Stockton on Tees. 8:30pm.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, March 14, 2015

Rendezvous Jazz @ The Black Horse, Monkseaton. March 13

 Maureen Hall (vocals), Gavin Lee (soprano saxophone), Don Fairley (trombone), Roy Gibson (keyboards), Jim McKeown (drums) + Chris Hodgkins (trumpet), Teresa Armstrong (vocals) & Joan Armstrong (vocals)
(Review by Russell)
Vocalist Maureen Hall has maintained a Friday lunchtime session for several years down at the coast. The Black Horse in Monkseaton (currently to let to an enterprising publican) is one of those venues where the management let the musicians get on with it.
Hall has an enviable frontline working with her; veteran trombonist Don Fairley and Shotton Colliery reeds’ virtuoso Gavin Lee. As ever, one or two sitters-in were hoping to get the call and a national ‘name’ from the jazz world turned up looking to have a blow. Rendezvous Jazz’ Dixie-plus repertoire entertained the regulars and the pool sharks in the adjoining bar didn’t seem to mind the background music as they knocked the ball around the table. When You and I Were Young, Maggie kicked-off and Hall sang Ace in the Hole with the all-seated frontline. Come to think about it, the whole band adopted a sedentary  position as is the tradition at Preservation Hall (Maureen Hall has had the great honour of singing at the tourists’ home of N’Awlins jazz). Black and Blue was just so, followed by a bout of hilarity as Blue Skies was announced as ‘tempting providence’ with the hard-of- hearing Roy Gibson thinking the ‘provi’ was being discussed!
Drummer Jim McKeown brushed effectively on There Will Never Be Another You and a favourite of Hall’s – Do You Know What It Means to Miss New Orleans – found favour with the audience. Second set (raffle prizes proved elusive), bandleader Hall welcomed trumpeter Chris Hodgkins to the stand (carpet) to play a few tunes. The former supremo of Jazz Services proved his worth on Struttin’ With Some Barbecue  
Russell.                                                                                                      

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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