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Bebop Spoken There

Craig Taborn: "Every sound you make is a choice, and it's a choice made in relation to everything happening around you" - (DownBeat, May 2019).

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Today Thursday April 18

Afternoon

Jazz

Vieux Carré Jazzmen - Holystone, Whitley Rd., Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

DJazz: Durham City Jazz Festival Launch - Courtyard Café, Palace Green Library, Palace Green, Durham DH1 3RN. 7:00pm. £5.00. Featuring Hand to Mouth: Lindsay Hannon & Bradley Johnston.

JR Trio - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £6.00. (£3.00. student). Line-up: James Romaine (alto sax); Asaph Tal (double bass); Kai Chareunsy (drums). Birmingham Conservatoire student trio. Gig replaces Francis Tulip Quintet (to be rescheduled).

Archipelago + Paul Taylor - Lit & Phil, Westgate Road, Newcastle NE1 1SE. Tel: 0191 232 0192. 7:45pm. £8.00. (£6.00. concs). JNE.

Anth Purdy - Dormans Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free. Tees Hot Club: Dormans Jazz Festival.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NJ. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Joseph Carville Trio - Bar Loco, Leazes Park Road, Newcastle NE1 4PG. Tel: 0191 232 5871. 8:00pm. Free. Carville (piano), Allan Peat (double bass), Mark Rayner (drums).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, March 13, 2015

Paul Edis Trio @ The Cherry Tree, March 11

 Paul Edis (piano); Roly Veitch (guitar/vocal); Neil Harland (double bass).
(Review by JC).
As BSH had intriguingly advertised the Wednesday night gig at the Cherry Tree as a 'good King Cole style trio' that seemed another good reason (along with the food) to go. Maybe Arthur Scargill had taken up the ukulele in his later years or Andy Cole had become a whizz on the baritone sax since he hung up his boots, but on arrival it was clear that neither was the case. The quietly distinguished looking guitarist didn't look the type to make rabble-rousing speeches and the piano player, with all due respect, didn't seem like a 20-goals a season striker (although the bass player might have made an elegant, but tough-tackling centre half).
In fact, the band turned out to be another excellent manifestation of the ever-morphing Paul Edis Trio. And what a nice trio it was, with Roly Veitch on guitar and Neil Harland on double bass.
Veitch quickly demonstrated his singing ability on Date With an Angel with nice solos from the trio, followed by Beautiful Love on which Edis revealed his considerable instrumental versatility with some fine soloing on flute. A well-crafted vocal on Long Ago and Far Away led into Darn that Dream and by now the trio were into a sweet musical groove, swopping solos and leaving spaces for each other to fill. The audience were also fully engaged.
Paper Moon was a standout number with Veitch treating the lyrics with the care and lightness such delicate material requires and supplementing them with equally subtle guitar playing. To my pleasant surprise Edis turned the trio into a quartet for this number, playing both piano and excellent clarinet (though not quite simultaneously) on this song, to the great appreciation of my friends. A very nice version of Nature Boy ended the first set.
The second set continued the high standard of the first with more fine vocals from Veitch and excellent interplay between guitar and piano on such numbers as East of the Sun, The Touch of Your Lips, Our Love is Here to Stay and Thank Your Lucky Stars. Harland on double bass provided solid rhythmic underpinning to the music and contributed a number of classy solos as well. An audience request led to Edis playing a track from his solo album, Bring Me Sunshine, and hearing the tune again revealed not only its infectious good humour but also how finely crafted this version is (the possibility of second solo album is rumoured, apparently). After this tune Roly Veitch generously and rightly commented on the fact that there were a number of excellent young jazz musicians in the region of whom Edis was undoubtedly one. Although he did exclude Neil Harland from this group, not because of his musical ability, but because he was an 'old timer'. Harland smiled benignly.
The expertise of all three was fully demonstrated in the next song, Flamingo and this was followed by My Romance. During the break our table had wondered which instrument Edis would next surprise us with and I suggested it might be the instrument du jour in Newcastle at the moment and he would pull the ubiquitous Theremin from his back pocket and play something like a stride version of Good Vibrations. As it happened it was the clarinet again on this number and very good it was too. Then the Trio rounded off the evening with It Could Happen to You.
Just to say that the food was like the music: always interesting, sometimes beautifully understated but taken to an extra level with delicate touches of technical virtuosity. A perfect combination.
JC

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