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Bebop Spoken There

Randy Brecker: "It's still a thrill for me today to stand out front of a big band as the soloist and hear all that sound going on behind you. It brings the best out of me" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Wednesday May 22

Afternoon

Jazz

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Julija Jacenaite & Alan Law - Jazz Café, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 261 5618. 2:00pm. Free. Café Mezzanine (first floor, access via crafts shop).

Evening

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

Blues

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, March 23, 2015

Jazz Coop @ The Globe: Debra Milne Ensemble – March 21

Debra Milne (vocals); Steve Glendinning (guitar); Paul Grainger (bass); Tim Johnston (drums)
(Review by Ann Alex)
Debra Milne has become an assured jazz singer with a sweet clear voice and songs meaningfully expressed, and this performance was a joy to hear, with all four of the band contributing well. She wore a dress bearing large yellow flowers which chimed in well with the Latin numbers in the varied programme. The men wore jeans and dark shirts; (why should only women’s attire be mentioned?)
The songs fairly zinged along, from Have You Met Miss Jones (who became Old Jones) right through to the encore which I heard as I left for the Metro.  In between we had Killer Joe with lyrics by Debra and some excellent heavy metal effects from Steve’s guitar; a lovely slow bossa with an opening light tin-like sound on the drums; Billie's Bounce with more of Debra’s words, fours and vocalese with the bass and the Tom Waits song Temptation - typical Waits, a song of drink and degradation.  The second set included Tight by one of Debra’s favourite singers, Betty Carter, with very tricky timing;  a slinky Pretty Eyes and, unusually, a Jethro Tull number from the 1970’s, Living In The Past. A clever, lively drum solo preceded Caravan, which was the last number before the encore.
Other tunes included, as well as a couple of originals by Debra and Steve, Stay and Blame Game; Lester’s Way; Just You Just Me; Senor Blues; Show Me The Man; Four; a title by Chic Corea that I didn’t catch; It Ain’t Necessarily So; Born To Be Blue and Sting’s Consider Me Gone.
Speaking of being gone, the audience came in fewer numbers than the band deserved, which was a shame for such a good performance, but if you weren't there, well you know what you missed by  reading this account. 
Ann Alex 

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