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Bebop Spoken There

John Tynan: "Go ahead, call me reactionary. I happen to object to the musical nonsense being peddled in the name of jazz by John Coltrane and his acolyte Eric Dolphy." - (Downbeat November 22, 1961).

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McCoy Tyner: "If anyone want to know how the three of us - Elvin, Jimmy and me - felt about John [Coltrane], listen to the music and you can hear the love and respect we had for each other. The music can really speak more than any of us." - (Melody Maker, August 19, 1967).
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Today Tuesday April 25

Evening
Playtime Collective w. Martin Kershaw (alto); Graeme Stephen (guitar); Mario Caribe (bass); Tom Bancroft (drums). - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8pm. £10/£8 (conc.). JNE/Schmazz.
Maine Street Jazzmen - Royal British Legion Club, West Jesmond Ave. Newcastle NE2 3EX. £5. 8:30pm.
Charles Gordon (solo piano) - Redwood Bar, Vermont Hotel, Newcastle. 10pm - midnight. Free.
Lickety Split - Fox Inn, West End Terrace, Hexham. 9:00pm. Free (bucket collection).
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, March 23, 2015

CD Review: Vicky Tilson Quartet – Mojo Risin'


Vicky Tilson – double bass; Dee Byrne - alto sax; Stuart Fiddler – guitar; Reinis Axelsson - drums
(Review by Hugh C).
Vicky Tilson, a graduate of the Guildhall post-grad jazz course, formed her first quartet in 2009 and released an album, Picture from Jitske, in the same year.  Tales from a Forgotten City followed in 2010. 
Mojo Risin’, recorded at the Cable Street Records studios in East London where Reinis Axelsson worked as a sound engineer, enabled Tilson to record in analogue and “give the album a certain warmth that digital does not”.
The album features three re-recorded stand out tunes from the quartet's first two albums, together with six new pieces exploring themes of depression, determination, immortality and patience.
A total of just over 58 minutes. 
Inspiration came from the words of Jim Morrison in The Doors song LA Woman -Mr Mojo Risin’ ”.  Tilson considers mojo risin’ to embody “everything that is good about a person on the rise; improving, developing into something spectacular like a phoenix rising from the ashes”.  She felt that was how her life was going as she composed the album, having recently been through her own personal annus horribilis.
Only the Brave starts with a rhythmic groove by the bass 'n drums soon joined by Byrne on alto and Fiddler on guitar.  The track has a funky feel with short solo passages from each.  Black Dog takes the mood down (literally) soon to morph into a kaleidoscopic whorl of sound from Byrne's alto, to be followed by steady state in four, with some nice solo work from Fiddler's guitar.  Better Late Than Never has a more uplifting feel with clever interplay between alto and guitar over a driving tempo set by the rhythm section.  Funk is back with Boho Chic featuring nifty guitar work by Stuart Fiddler over Axelsson's drums.  Headlovin' continues in the upbeat tempo with stratospheric squeals from Byrne's alto interspersed with finger pickin' good guitar work by Fiddler. 
The Eternal Ending isn't - there's still three more tracks to go!  This features a beautiful melodic line by Byrne on alto sax.  There’s no let-up in the rhythm though.  As one might expect when the band leader is a bassist there is extensive bass solo work! 
The pleasant thing to this reviewer is how the solos are seamlessly integrated into the musical narrative.  Pas du Tout has a more reflective feel than the preceding tracks allowing for a more spread out appreciation of each instrumentalist’s contribution to the whole.  The Crunch and The Kicker take us out with an almost drum 'n bass feel to the latter.
This is a crackling listen – buy it! – available March 23 on the F-IRE label.  Catalogue number F-IRECD79.   The Quartet have gigs coming up in the South and in Northern Ireland.  These guys would sound great in the some of the more intimate venues here in the North East – programmers take note!
Hugh C.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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