Total Pageviews

Bebop Spoken There

John Tynan: "Go ahead, call me reactionary. I happen to object to the musical nonsense being peddled in the name of jazz by John Coltrane and his acolyte Eric Dolphy." - (Downbeat November 22, 1961).

-----

McCoy Tyner: "If anyone want to know how the three of us - Elvin, Jimmy and me - felt about John [Coltrane], listen to the music and you can hear the love and respect we had for each other. The music can really speak more than any of us." - (Melody Maker, August 19, 1967).
-----

Today Tuesday April 25

Evening
Playtime Collective w. Martin Kershaw (alto); Graeme Stephen (guitar); Mario Caribe (bass); Tom Bancroft (drums). - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8pm. £10/£8 (conc.). JNE/Schmazz.
Maine Street Jazzmen - Royal British Legion Club, West Jesmond Ave. Newcastle NE2 3EX. £5. 8:30pm.
Charles Gordon (solo piano) - Redwood Bar, Vermont Hotel, Newcastle. 10pm - midnight. Free.
Lickety Split - Fox Inn, West End Terrace, Hexham. 9:00pm. Free (bucket collection).
-----
To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, March 10, 2015

CD Review: The Susan Krebs Chamber Band - Simple Gifts

Susan Krebs – vocals, Rich Eames – piano, Rob Lockart -  woodwind, Scott Breadman – percussion, Paul Cartwright – violin & viola.
(Review by Debra M)
Chamber ensembles developed in the era of classical music, where small group of musicians would play without a conductor in small venues and society residences, in contrast to larger orchestras conducted in formal concert halls.  ‘Simple Gifts’ is the result of a similar collaboration over several years in Southern California, between vocalist Susan Krebs and a group of jazz musicians. 
The material encompasses a wide range of musical styles, although the opening ‘Let’s Call a Heart a Heart’ is an easy going, swinging blues.  In contrast, ‘Looking Back’ a reflection on a rural childhood, has a more pastoral & classical feel with lilting phrases from violin and saxophone.  Abbey Lincoln’s ‘Throw It Away’ is outstanding; Krebs’ passionate vocal is reflected in dramatic Eastern influenced instrumentation with exquisite violin from Paul Cartwright, and great support from Scott Breadman on percussion.
Other highlights include ‘So Many Stars’ featuring Rob Lockart on free flowing soprano sax, and ‘Falling Grace’,  where the lyric is elaborated by an atmospheric soundscape,  inspired by  a winter snow storm (presumably not in California). Susan Krebs’ acting background is evident in her expressive delivery, which can be a little mannered. However, there is great cohesion and musical sympathy shared by the ensemble throughout the project.
Debra M.

No comments :

Post a Comment

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!