Total Pageviews

Bebop Spoken There

Michael Feinstein: “Fred Astaire is my favorite singer. To me, he was the perfect interpreter of American popular song.” – (Jazz Times December 2014).

Bud Shank: “Once I saw California – that was it, I stayed.” – (Jazz Journal May 1991)

Archives.

Today Saturday February 25

Afternoon

Tees Valley Jazzmen - Devonport Hotel, 16-18 The Front, Middleton One Row, Darlington DL2 1AS. 01325 332255. 1:30pm. Free.

Evening

Bradley Johnston (Solo guitar) - Cherry Tree Restaurant, 9 Osborne Rd., Jesmond, Newcastle. 7:30pm. No cover charge.

Redemption - The Globe, 11 Railway St., Newcastle NE4 7AD. 8pm. £5.

Rendezvous Jazz/ Levee Ramblers NOJB 'At the Jazz Band Ball 2' - The Exchange, Howard St., North Shields NE30 1SE. 7:30pm. £10/£8.50.

-----

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, March 24, 2015

CD Review: George Crowley - Can of Worms

George Crowley (tenor saxophone), Tom Challenger (tenor saxophone), Dan Nicholls (piano & Wurlitzer), Sam Lasserson (double bass) & Jon Scott (drums)
(Review by Russell).
Can of Worms is saxophonist George Crowley’s second album. Recorded in July 2014 on Michael Janisch’s Whirlwind Recordings label, Crowley’s quintet comprises some of the very best of the scene’s younger musicians. London-based Loop Collective member Tom Challenger works with the bandleader as a two-tenor frontline. The rhythm section (piano bass and drums) is an integral part of the band sound, thus ‘rhythm section’ is inadequate in describing the contributions of Dan Nicholls, Sam Lasserson and Jon Scott.
The Opener is just that – a slow-burning composition igniting, indeed erupting, into an all out blast from the quintet. Drummer Jon Scott drives the band across seven titles; restless, pushing, changing direction at will. Crowley and Challenger dive in with purposeful solo flights. Ubiquitous Up Tune in 3 is up-tempo – Scott, the tenors and Nicholls’ piano solo.
Rum Punch takes its time; chiming keys, tenors calling, Scott’s drumming loose, almost free. Taut, fraught tenors squabble, bass and drums steward matters. Track five - I’m Not Here to Reinvent the Wheel – fizzes, swinging amidst the organised chaos of a free for all section, surfacing at the other end with the same fizzing energy. Baroque Wurlitzer from Nicholls complements Crowley and Challenger’s comprehensive tenor solos on Terminal
Can of Worms is an album to play again and again. It is available now on the progressive Whirlwind Recordings label (WR4666).
Russell.

No comments :

Post a Comment

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!