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Bebop Spoken There

Jeff Lindberg: "You can have innovative new music and you can play music of the masters. They're not going to cancel each other out" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Saturday May 25

Afternoon

Jazz

Classic Swing - St. Cuthbert's Church Hall, Dovecote St., Amble NE65 0DX. 12:00pm - 3:00pm (music from 1:00pm). £10.00. See poster for more details.

Sax on the Tyne, St George's Church Hall, St George's Close, Jesmond, Newcastle NE2 2TF. 5:00-7:00pm. Free (donations). A Jesmond Community Festival event.

Evening

Baghdaddies - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 6:00pm. £10.00. Whitley Bay Carnival.

Lady & the Jazz Tramps - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £6.00. (£3.00. student).

Radio Pensacola Band - Prohibition Bar, Pink Lane, Newcastle NE1 5DW. 8:00pm. Free (donations).

Blues/Funk/Soul

Teresa Watson Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, February 24, 2015

CD Review: ISQ - Too

Irene Serra – vocals; Richard Sadler – double bass; Chris Nickolls -  drums; John Crawford – piano.
(Review by Debra M.)
‘Too’, the second album from Irene Serra’s quartet, is a collection of 8 original songs, with well-penned lyrics largely musing on various aspects of relationships.  Serra’s  warm, bluesy & delicate voice remains to the fore throughout,  with the relatively restrained John Crawford on piano supplementing with riffs & chords in the background. 
In contrast, Richard Sadler’s  double bass gives  melodic counterpoint, and is  particularly effective in the second track ‘Falling Stars’, where he also  plays one of the few solos on the album.  The melancholic ‘Tears of a Clown’ stands out, with delicate and spacious backing from the trio.  In ‘Zion’,  Chris Nickolls grooves  a  rhythmic dynamism,  which may be why it has been selected as a single release.  Crawford finally lets loose in the last track ‘Light and Shade’, allowing his colleagues on drums & bass to develop the dynamic of the trio.  Maybe the limited use of improvisation  reflects the  quartet’s ‘development of   their crossover sound’, but some of these tunes  may  benefit from a little more musical exploration, and would  be more compelling as a consequence.
Debra M.

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