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Bebop Spoken There

Frank Tate: “Travelling’s part of life. It just goes with the job. It’s in one’s best interests, I think, to enjoy it, because it’s sure what you’re gonna be doing!” – (Jazz Journal February 1992)

Joe Temperley"I was on the bus as Carney's replacement. I said to Harold Ashby 'Where are we going?' He answered 'What difference does it make?' " - (Jazz UK January 2013.)

Archives.

Today Tuesday January 24

Afternoon.
?????
Evening.
Charles Gordon (solo piano) - Redwood Bar, Vermont Hotel, Newcastle. 10pm - midnight. Free.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, February 04, 2015

Alister Spence Quartet & Paul Taylor @ Newcastle University. February 3

Alister Spence (pno; Raymond MacDonald (alt/sop); Joe Williamson (bs); Dag Magnus Narvesen (dms).
(Review &  photos courtesy of Ken Drew)
.Leader is Australian pianist Alister Spence, a player who combines melodic invention and free improvisation in a way that is full of surprises yet unfailingly accessible. And he’s matched every step of the way by the other members of the quartet. Glaswegian Raymond MacDonald has worked regularly with Alister, not only in the UK and abroad, and the two of them have developed a level of spontaneous awareness that makes their improvisation look so fluid and effortless - although the circular breathing by Raymond was evident from the outset and highly effective.

Canadian bassist Joe Williamson has been another regular collaborator in the group, and he similarly enters the fray so sympathetically yet complementary.  Only drummer Dag Magnus Narvesen is a newcomer. Based in Berlin, he is involved in groups with such free music titans as Alexander von Schlippenbach, trombonist Johannes Bauer, and ex-Cecil Taylor saxophonist Harri Sjöström – and this impressive CV was brought to bear with such style and succinctness.  Each contributed evenly, solos were shared but never too long and despite the inner complexity of many of the tunes, the overall result was perfectly balanced with an overall envelope of apparent simplicity, and wonderfully inspiring.
A superbly talented and beautifully integrated group. The Recital Room was the place to be!
Paul Taylor played solo piano for the first set. An extended selection of compositions interspersed with electronic effects to mark the transitions between. His playing has a magical and timeless quality, constantly drawing you in to his musical scapes which unfold in front of you as he plays seemingly effortlessly, but most thoughtfully and highly effectively too.  A rare treat!   
Ken D.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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