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Bebop Spoken There

Dewey Redman: "When Trane came to Bop City in San Francisco and told me he liked the way I played, I stayed high off that forever." - (Downbeat June 1980.)

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Nick Brignola: “I got to talk to John Coltrane before he was John Coltrane!” – (Jazz Journal April 1991)

Archives.

Today Wednesday January 18

Afternoon.
Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Evening.
Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.
Ruth Lambert w. Alan Law Trio - Cherry Tree Restaurant, 9 Osborne Rd., Jesmond, Newcastle. 7:30pm. No cover charge.
Levee Ramblers NOJB - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:30pm. £3.00. Note earlier start and a small increase in admission.
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Tees Hot Club - Cleveland Bay, 718 Yarm Rd., Eaglescliffe, TS16 0JE. 9pm. Free.
To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, January 30, 2015

Strictly Smokin’ Big Band @ The Millstone. January 29

(Review by Russell)
The Strictly Smokin’ session at the Millstone is fast becoming the ‘must get to’ gig on the local scene, second only to the band’s all too infrequent appearances at Hoochie Coochie. Word of mouth has ensured all seats are taken in advance of the seven o’clock start in the upstairs room of the Haddricks Mill Road hostelry. Arrive early to bag a seat.
One or two deps (to be expected in a band of this size) spiced it up a bit and MD Michael Lamb went to and fro – trumpet section to rostrum – keeping an eye/ear on developments.  For openers – Song for My Father and the sing-a-long Sweet Georgia Brown.
Vocalist James Hedley couldn’t hang around so he got his quota in early; Beyond the Sea and Fly Me to the Moon (Keith Robinson flute intro). Trumpeter Pete Tanton took several cracking solos, the first of them on an excellent arrangement of After You’ve Gone. Dizzy popped up with Night in Tunisia and Hedley signed-off with Almost Like Being in Love.
Interval: a chat with Kath J, John T, Tony, Lucy, Mary, Peter, Phil, Barry A, the barmaid (another pint of Rivet Catcher, please).
Second set: Veronica Lake arrived. In Guy Swinton’s absence ex-pat American trumpeter Pete Tanton announced the programme. The band played In the Mood. Tanton explained that the arrangement was the one used by Doc Severinsen on Tonight (Johnny Carson). A plethora of soloists stood up throughout the evening, not a weak link in sight (a sure sign of a first rate band). Ms Lake (the wonderful Lindsay Hannon) took to the microphone. A tune or two (Makin’ Whoopee and I’ve Got You Under My Skin) and LH was done, such is the nature of a public rehearsal session. One tune caught the ear – El Caborojeno. This Bob Mintzer tune has to be heard again (thanks to PT for the correct spelling of El C…!). February’s session (26th), always the last Thursday in the month, is certain to be every bit as good. Seven o’clock sharp.
Russell.                           
Michael Lamb, Gordon Marshall, Dick Stacey & Pete Tanton (trumpets), Mark Ferris, Dr John Flood, Caroline Norris, Kieran Parnaby (trombones), Paul Gowland (tenor saxophone), Jamie Toms (tenor saxophone), Keith Robinson (alto saxophone, flute), Steve Summers (alto saxophone), Chris Karberry (baritone saxophone), Pawel Jedrzejewski (guitar), Graham Don (keyboards), Michael Whent (electric bass), Steve Wall (drums), James Hedley (vocals) & Lindsay Hannon (vocals)

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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