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Bebop Spoken There

John Tynan: "Go ahead, call me reactionary. I happen to object to the musical nonsense being peddled in the name of jazz by John Coltrane and his acolyte Eric Dolphy." - (Downbeat November 22, 1961).

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McCoy Tyner: "If anyone want to know how the three of us - Elvin, Jimmy and me - felt about John [Coltrane], listen to the music and you can hear the love and respect we had for each other. The music can really speak more than any of us." - (Melody Maker, August 19, 1967).
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Today Monday April 24

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
Evening.
?????
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, January 26, 2015

Diachronicx @ The Bridge Hotel. January 25

Gabriele Heller (voice & electronics) & Steve Glendinning (guitar).
(Review by Russell/photos courtesy of Ken Drew).
Arriving near the end of the first set (delayed train from Darlington), this is, effectively, a brief review of Heller and Glendinning’s second set. Ascending the stairs with a tip-top pint of Schiehallion, Ms Heller could be heard on stage in blues to bossa mode (guitarist Glendinning seated, fleetingly recalling Joe Pass). Honey Bee (a sailing blues said Heller) wailed Sail on, sail on my little Honey Bee, sail on, Hmmm. Excellent blues feel.



The audience? “Select” isn’t the word. Downstairs one lone drinker propped up the bar (a quiet night at the Bridge), upstairs he (the lone drinker below) was outnumbered, but only just. Interval chatter about cameras (landscape or portrait, camera phones etc) with house photographer Ken Drew. Heller opened the second set with Queen. Hmmm. Nature Boy (another ubiquitous tune), then an original piece – True Love – and Weill’s Speak Low (Heller’s milleu) heard GH at her best with an intriguing and highly effective use of two  walkie-talkies. Glendinning’s jazz guitar credentials acted as an effective counterpoint to Heller’s committed agit-prop approach, exposing the political undertones in tunes written and/or performed by Billie Holiday, Kurt Weill and others.
Diachronicx was a Splinter at the Bridge promotion. Note to Tyneside jazz fans…Sunday night, Bridge Hotel, eight o’clock. Be honest, what was on the telly last night? Nothing is a good guess.   
Russell.      

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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