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Bebop Spoken There

Alan Luff: “The general view is that Ella’s songbook recordings are the supreme exemplars of sophistication, fine diction and creative voice in the wide field of popular music.” – (Jazz Journal May 2017).

Steve Voce: “Most of us have been crashed into by cretins who walk along the road absorbed in the screens of their mobile phones.” – (Jazz Journal May 2017).

Number 22!

Bebop Spoken Here is currently listed at number 22 in the WORLD JAZZ BLOG Rankings!

Today Friday May 26

Afternoon
Harambee Pasadia - See RH Column.
Rendezvous Jazz - The Black Horse, Front St., Monkseaton, Whitley Bay NE25 8DP. 1pm. Free.
Paul Wilkinson - St. Nicholas Cathedral, St. Nicholas Square, Newcastle NE1 1PF. 1:05pm. Retiring collection.
Mark Williams/Joel Byrne McCullough - Gala Theatre, Millennium Place, Durham DH1 1WA. 1pm. £5.
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Evening
Harambee Pasadia - See RH Column.
Ruth Lambert Quartet - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 9pm, £7 (£6 in advance.)
Hand to Mouth (Lindsay Hannon/Bradley Johnston) - High Friars Lane (Tyneside Cinema), Free, al fresco, 8pm. food and drink available.
Chris James & Martin Fletcher - Billy Bootleggers - 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.
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Imelda May - Sage Gateshead. 7pm. £38.20/£27.30 VIP Option £104.
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Hokum Hotshots - National Glass Centre, Liberty Way, Sunderland SR6 0GL. 7:30pm. £27.50. Tel: 0191 515 5555. ‘Bourbon & Blues’ three course meal - booking essential.
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Strictly Smokin' Big Band - Ushaw College, nr. Durham. 7:30pm. £7.
Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, January 29, 2015

CD review: Jack DeJohnette – Made in Chicago

Jack DeJohnette (drums), Muhal Richard Abrams (piano), Larry Gray (double bass & cello), Roscoe Mitchell (sopranino, soprano & alto saxophones, baroque flute, bass recorder) & Henry Threadgill (alto saxophone & bass flute)
(Review by Russell).
Made in Chicago was made at the 2013 Chicago Jazz Festival. Five veterans of the scene on Chicago’s Southside united after fifty years travelling the globe in their own and other bands to open the thirty fifth edition of the Windy City’s annual parkland jazz jamboree. 
Jack DeJohnette accepted an invitation to put together a group entirely of his choosing to play music of his/their choosing. The legendary drummer made a few calls to friends and the project was on. 
The album marks the half century of the AACM (Association for the Advancement of Creative Musicians) founded by Muhal Richard Abrams and is released on Manfred Eicher’s ECM label. In 1962 Jack DeJohnette’s college class mates included  Roscoe Mitchell and Henry Threadgill. One of DeJohnette’s first professional jobs was to work with Abrams in the pianist’s Experimental Band. Bassist Larry Gray first worked in DeJohnette’s company in the 1990s and although several years junior, he too qualifies as a veteran performer.
The concert begins with Abrams’ piano and reeds developing a simple motif. DeJohnette builds momentum with mallets, Abrams sketches a dream sequence until Roscoe Mitchell takes command with a furious Eastern-influenced melody (the title – Chant). DeJohnette hammers toms and crashes cymbals for all he is worth until Mitchell, the composer, calls a sudden halt. Jack 5 (comp. Abrams) surely references the on-stage quintet. Larry Gray lays down a walking-pace bass line right out of Dave Holland’s Bitches Brew tenure with Miles. Stately horns have their say, DeJohnette roams across his kit (distant applause can be heard from the ten thousand strong festival crowd). Composer Mitchell’s baroque flute has a whispered conversation with Gray’s cello on This. Piano and drums attempt to fill a void at a masterly slow tempo.
DeJohnette’s Museum of Time maintains the downbeat, ‘new music’ thread. The straining horns of Mitchell and Henry Threadgill step aside as Abrams’ ruminating piano coaxes a final, rolling flourish from DeJohnette topped-off by A-grade fizzing sticks-work around the hi-hat. Abrams’ dazzling, dense piano playing on Threadgill’s Leave Don’t Go Away threatens a full-blown free piece only to be hijacked by a drum and bass master class and a grateful composer weighs in with a robust coda. The Made in Chicago concert ends on a high. Ten Minutes (a group composition) blows away any wannabees. The five master musicians go for it, hell for leather, in the style of ACV’s Without Bones.
Russell.
Jack DeJohnette’s Made in Chicago is available on ECM (catalogue no. 378 0935).

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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