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Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

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Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

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Voting is now taking place for Nominations in the All Party Parliamentary Jazz Awards. Please take this opportunity to vote in the various categories including MEDIA where a vote for Bebop Spoken Here would be much appreciated.

Today Thursday June 21

Afternoon

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 266 6173. 1:00pm. Free.

Evening

Maine St. Jazzmen - Sunniside Social Club, Holywell Lane, Sunniside, Gateshead NE16 5NJ. 8:30pm. Free.

Indigo Jazz Voices - The Globe, 11 Railway Street, Newcastle NE4 7AD. 7:30pm. £5.00.

Lambton Little Band - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. 7:00pm. Free. Rehearsal session.

Lindsay Hannon Plus - St James’ & St Basil’s Church, Fenham, Newcastle NE4 9EJ. 7:30pm. £10.00.

Charlotte Glasson Group - Jazz Café, Pink Lane, Newcastle NE1 5DW. Tel: 0191 222 9882. 8:00pm. £10.00. (£8.00. concs.). JNE.

Get in the Band rehearsal - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4666. 6:00-10:00pm. Second of two rehearsals under the direction of Chris Sharkey culminating in three performances in a day on Sat 23 June - 1) Great North Museum (Hancock Museum), 2) Central Station, 3) Sage Gateshead. Times TBC. Free but ticketed.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Tees Hot Club w. Ray Dales (alto); Dave Stansfield (tenor); Bruce Taylor (keys) - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9pm. Free.

Jazz Jam - Fire Station, High Street West, Sunderland SR1 3DT. Tel: 0191 594 7241. 8pm. Free.

Billy's Buskers: Plug in and Play - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 7:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, January 20, 2015

CD Review: Chris Potter Underground Orchestra – Imaginary Cities

Chris Potter (tenor & soprano saxophones, bass clarinet), Adam Rogers (guitar), Craig Taborn (piano), Steve Nelson (vibraphone & marimba), Fima Ephron (bass guitar), Scott Colley (double bass), Nate Smith (drums), Mark Feldman (violin), Joyce Hammann (violin), Lois Martin (viola) & David Eggar (cello)
(Review by Russell).
Chris Potter has augmented his regular quartet – Adam Rogers, Craig Taborn and Nate Smith – with two bassists, a string quartet and former sparring partner Steve Nelson on vibes and marimba to record Imaginary Cities. The CD comprises a four part suite (the title composition) and four other pieces.
Lincoln Center, New York, invited Potter to write new music with a view to performing it at the prestigious venue. Initially, Potter had his working band in mind but in time the project grew to incorporate parts for the other musicians featured on this ECM recording.
Potter’s writing evolved from ‘a non-specific utopian idea of how the modern city could be better.’ The first of eight tracks (Lament) opens with strings, bass guitar and Smith’s languid drum patterns laying the groundwork for Potter’s searching tenor saxophone.
Imaginary Cities is divided into four parts – Compassion, Dualities, Disintegration then Rebuilding. The first part hears more of Potter’s accomplished tenor playing followed by Adam Rogers’ ever-excellent guitar playing. Smith drives Dualities, lifting Potter to ever greater heights, Nelson’s vibes break away from the strings’ secure foundation seeking to emulate the bandleader’s sense of adventure. Craig Taborn plays acoustic piano on the album and sketches a delicate opening to the impressionistic Disintegration ahead of Potter’s floating soprano above a field of decaying strings. Smith’s sparkling drum part revitalises the ensemble’s optimism on the suite’s end piece, Rebuilding.
Firefly burns brightly; Fima Ephron’s lithe bass pattern, urgent tenor, guitar and strings chase the melody, then vibes, Smith again pivotal. Shadow Self  suggests an ‘out’ string quartet piece, politely discordant. The final track, Sky, dazzles briefly (Taborn and once more Smith) and it is down to Potter to conclude matters. Imaginary Cities is released on January 19 on ECM (catalogue no. 470 4075). Chris Potter’s Underground Quartet (on this occasion Potter, Adam Rogers, Fima Ephron and Nate Smith) can be heard at Ronnie Scott’s, London, February 16 and 17.  
Russell.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
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Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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