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Bebop Spoken There

Allison Neale: “It’s difficult if you play mainstream in the UK, it isn’t appreciated enough. The current scene seems to focus on musician-composers.” - (Jazz Journal April 2013).

Liam Noble: “I know some people think playing standards is old-fashioned but I love it.” – (Jazz Journal January 2016).

Archives.

Today Monday February 20

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
Evening.
Holy Moly & The Crackers + Rob Heron & The Tea Pad Orchestra - The Cluny, Lime St., Newcastle. 7pm. £10.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, December 15, 2014

Splinter Jam Session @ The Bridge. Dec. 14.

Alan Law (pno); John Pope (bs); Jonathan Marriott (dms) + Zoë Gilby (vcl); Matt Müller (pno); Andy Champion (bs).
(Review by Lance/photos courtesy of Ken Drew).
Zoë had been scheduled to sing at a Whitley Bay eaterie but fortunately, for us, unfortunately for her, the gig was cancelled at the last minute so we had a top class chanteuse to compensate for the minimal number of jammers present.
After a couple of impressive Alan Law originals, one of which - a jazz waltz - contained a piano solo to die for, Mrs Champion gave out with Bye Bye Blackbird. This must be one of the most often played tunes ever yet, unlike say Summertime, to me it always sounds fresh and Zoë's version did it no harm at all.
Next up, a new face on the scene - Matt Müller - yet another talented young pianist! A delicate, probing, intriguing version of Georgia on my Mind. Hoagy's classic is another song that's been around the block a few times but, like Blackbird, in the right hands it can be more than 'just an old sweet song' and I'm pleased to report that, with Müller, it was in the right hands. Welcome to Jazzland NE1 Matt.
He followed up with Watermelon Man.
Alan Law returned to the Roland set up with Andy Champion at the bass and a rolling blues that segued into Night Train with just a hint of Splanky thrown into the mix.
Interval time which meant refuelling and catching up with Norman and BSH contributer JC.
That Gilby woman got the second set moving in tandem with husband Andy on bass and Paul Simon's Graceland followed by one from her back catalogue - West Coast Blues.
The house trio of Law, Pope & Marriott reconvened for There is no Greater Love - now there's a number that should be heard more often, particularly when it contains those big fat juicy block chords that Law lays down.
Müller gave us Billy Taylor's I Wish I Knew How it Felt to be Free (did Taylor write anything else?!), Zoë sang Wave and the trio wrapped it up with All the Things You Are - nice basswork from John Pope and some forceful drumming from Marriott combined to make this a fitting end to a grand evening that had ne'er a Noel in sight!
Back on January 18.
Lance.


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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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