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Bebop Spoken There

Orrin Evans: “I’d like to see a younger audience and an audience that looks more like me at the clubs.” – (Down Beat November 2014).

Kevin Flanagan: "Besides, I'd got sick of playing jazz to people who looked like my father." - (Straight No Chaser Issue 0ne Summer 1988.)

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Today Thursday August 17

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:oopm. Free.
Rendezvous Jazz - Tynemouth Metro Station, Station Tce., Tynemouth NE30 4RE. 1pm. Free.
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Evening.
Indigo Jazz Voices - Globe, 11 Railway St., Newcastle NE4. 7:30pm. £5.
Maine Street Jazzmen - Potter's Wheel, Sunniside NE16 5EE. 8:30pm. Free.
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Tees Valley Jazzmen - White Horse Hotel, Burtree Lane, Harrogate Hill, Darlington DL1 3AD. 1:30pm. Free.
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Tees Hot Club w.Kevin Eland (trumpet); Mark Toomey (alto); Dave Archibold (keys)- Dormans, Oxford Rd., Middlesbrough TS5 5DT. Free. 9pm.
New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, December 18, 2014

CD Review: Ruth Lambert Trio – Three

Ruth Lambert (vocals), Giles Strong (guitar) & Mick Shoulder (double bass)
(Review by Russell)
Three is Ruth Lambert’s third CD release and the first with her trio of Giles Strong (guitar) and Mick Shoulder (double bass). Twelve tracks (six original compositions     and six standards) sustain a remarkably high standard of performance. Voice, guitar     and bass have been recorded with painstaking attention to acoustic detail by studio producer Adam Sinclair.
Lambert’s A Love That Never Dies and Strong’s Everything Was Beautiful open the album with a statement of intent; stripped-back, up-close compositions. Listen with headphones and one can almost hear the beating hearts such is the intimacy of it all.   Love Me Like a Man is more often heard as a raucous command. Here the acoustic balance seeks to defy the lyric, resisting the temptation to let rip. Skylark’s will o’ the wisp fragility is handled with the utmost care; Lambert has a case for claiming the definitive take on Hoagy Carmichael’s tune with Strong and Shoulder playing the notes, the right notes, and no more. A Shoulder/Lambert composition – So Tell Me – indicates the potential for more self-penned material in future. The Sammy Cahn/Jule Styne classic Time After Time closes the album with Lambert’s effortless swinging vocals.
Three’s production values are second to none, so much so one could be forgiven for thinking it had been recorded on the legendary Pablo record label. Album credits are due to Adam Sinclair (engineer, mixer and producer), cover design/artwork by Mick Shoulder and photography by Zoe Strong. Three is impossibly intimate, impossibly good. Three (RLT1) is available at www.ruthlamberttrio.com.                       
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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