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Bebop Spoken There

Buddy Guy: "My mother said, 'You got flowers for me, give 'em to me now, because I'm not going to smell them when you put 'em on the casket'." - (DownBeat September 2018).

Marty Ashby: "I asked him what his gig was and he said 'I put the scores on the music stands'. I said, 'That's a gig?' And I realised there were four floors of guys like him, who supported some of the finest musicians in the world. But I was a jazz musician, and I was used to playing with some of the finest musicians in the world in front of the New York Public Library for tips. That's when I realised that jazz didn't have the same support system as classical music. - (DownBeat September 2018).

Today Wednesday August 15

Afternoon

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Take it to the Bridge - The Globe, 11 Railway Street, Newcastle NE4 7AD. 8:00pm. £1.00.

Stu Collingwood-Russ Morgan Organ Duo - Dun Cow, Brandling Village, Jesmond, Newcastle NE2 4RS. Tel: 0191 338 7981. 8:00pm. Free.

Community Hall New Orleans Band - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:15pm £3.00.

Moonshine Sessions - Billy Bootleggers, 28 Nelson Street, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, December 09, 2014

CD Review: Roller Trio – Fracture

James Mainwaring (tenor & soprano saxophones, electronics), Luke Wynter (guitar, electric bass & electronics) & Luke Reddin-Williams (drums)
(Review by Russell)
Roller Trio gig extensively across the country honing their live sound (winning accolades along the way) and their second album Fracture (and Lamplight Social Records first CD) retains the immediacy of their live gig sound. Roller Trio’s sound is of its time. Twenty-somethings listen to it and move to it on the student hip-hop dance floor. Of its time, will it stand the test of time?
The Leeds College of Music alumni are seriously good musicians (college chops) and the legend is they spent hour after hour perfecting their sound. Fracture is full of beats, tunes and derring-do escapades. Roller Trio play the seemingly impossible because they can. A CD of ten tracks, the first few are executed with a bravado of the twenty-something. Reef Knot opens the recording with typical shifting patterns and unexpected twists and turns.
Constant gigging makes some numbers familiar to the ear; 2 Minutes to 12 is one such. A hallmark Roller Trio sound, drummer Luke Reddin-Williams and guitarist Luke Wynter achieve stunning accuracy and James Mainwaring’s tenor is forever probing – a riff, then another idea, hints at balladry, restless in the extreme. A Wynter composition – Splinter – features the recorded debut of Mainwaring on soprano saxophone. Live he has played the soprano occasionally, here, a documented first, there is little to choose between the two.
One or two tracks veer from the searing sound associated with the trio to the sound world sketched out by Jan Garbarek and, latterly, Tim Garland. Indeed another of Mainwaring’s projects – Space Flight – tracks a similar orbit. Fracture is sure to meet with the approval of Roller Trio’s fan base. Its significance will become apparent when Lamplight Social is about to release CD number ten. Fracture is released today (Monday 8 December) on the in-house label Lamplight Social Records (LSRCD001).                       
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance