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Bebop Spoken There

More from Jazz Monthly:

Jack Cooke: "...neither Giuffre nor Jim Hall are even adequate jazz musicians, they are technically limited, and more importantly, seem unable to improvise logically" - (Review of a JATP concert. Jazz Monthly May 1960)

Michael James: "...if Ellis [Herb] has merits they are definitely not these [fantastic fire and drive]". - (Review of Herb Ellis Meets Jimmy Giuffre (LP). Jazz Monthly May 1960).

Archives

Today Wednesday October 18

Afternoon
Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.

Evening
Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.

Billy's Acoustic Blues - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free (weekly).

New Orleans Jazz at the Village Hall - Springwell Village Community Venue, Fell Rd., Gateshead NE9 7RP. 8:15pm. £3.

Glowrogues - Empty Shop, 35c Framwellgate Bridge, Durham DH1 3NJ. 8:00pm. Line-up Sam Healey (alto), Aaron Diaz (trumpet & electronics), Richard Foote (trombone), Ben Watte (keyboards), Dan Brew (guitar), Jamie Brewster (bass) & Jim Molyneux (drums)

Shannon McNally & Friends + Little Mo (Mo Scott) - Live Theatre Studio, Broad Chare, Newcastle NE1 3DQ. Tel: 0191 232 1232. 8:00pm. £10.00. Jumpin’ Hot Club gig.

Tees Hot Club - Cleveland Bay, 718 Yarm Rd., Eaglescliffe TS16 0JE. 9pm. Free.

Emma Fisk & Paul Edis - Ushaw College. 7:30pm. £7.00. Classical, jazz & tango. (CANCELLED)
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, December 09, 2014

CD Review: Roller Trio – Fracture

James Mainwaring (tenor & soprano saxophones, electronics), Luke Wynter (guitar, electric bass & electronics) & Luke Reddin-Williams (drums)
(Review by Russell)
Roller Trio gig extensively across the country honing their live sound (winning accolades along the way) and their second album Fracture (and Lamplight Social Records first CD) retains the immediacy of their live gig sound. Roller Trio’s sound is of its time. Twenty-somethings listen to it and move to it on the student hip-hop dance floor. Of its time, will it stand the test of time?
The Leeds College of Music alumni are seriously good musicians (college chops) and the legend is they spent hour after hour perfecting their sound. Fracture is full of beats, tunes and derring-do escapades. Roller Trio play the seemingly impossible because they can. A CD of ten tracks, the first few are executed with a bravado of the twenty-something. Reef Knot opens the recording with typical shifting patterns and unexpected twists and turns.
Constant gigging makes some numbers familiar to the ear; 2 Minutes to 12 is one such. A hallmark Roller Trio sound, drummer Luke Reddin-Williams and guitarist Luke Wynter achieve stunning accuracy and James Mainwaring’s tenor is forever probing – a riff, then another idea, hints at balladry, restless in the extreme. A Wynter composition – Splinter – features the recorded debut of Mainwaring on soprano saxophone. Live he has played the soprano occasionally, here, a documented first, there is little to choose between the two.
One or two tracks veer from the searing sound associated with the trio to the sound world sketched out by Jan Garbarek and, latterly, Tim Garland. Indeed another of Mainwaring’s projects – Space Flight – tracks a similar orbit. Fracture is sure to meet with the approval of Roller Trio’s fan base. Its significance will become apparent when Lamplight Social is about to release CD number ten. Fracture is released today (Monday 8 December) on the in-house label Lamplight Social Records (LSRCD001).                       
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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