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Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

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Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

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Voting is now taking place for Nominations in the All Party Parliamentary Jazz Awards. Please take this opportunity to vote in the various categories including MEDIA where a vote for Bebop Spoken Here would be much appreciated.

Today Friday June 22

Afternoon

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Alice Grace Trio - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Ushaw Ensemble - Lit & Phil, Westgate Road, Newcastle NE1 1SE. Tel: 0191 232 0192. 1:00pm. £5.00.

Evening

Emma Fisk & Paul Edis - Ushaw College, Durham DH7 7DW. 7:30pm. £7.00

Julija Jacenaite Trio - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8pm. Free.

Q&A: Eric Burdon & Hilton Valentine - Castle Gate, Melbourne Street, Newcastle NE1 2JQ. Tel: 0191 233 2288. 7:00pm. £30.00. (£50.00. VIP ‘Meet & Greet’ inc glass of fizz & photo with Burdon & Valentine). Tex Leon & Friends will perform at the event.

Stax Brothers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, December 07, 2014

CD Review: Jim Rattigan/Thomas Gould/Liam Noble - Triplicity

Jim Rattigan (French Horn); Thomas Gould (violin); Liam Noble (piano).
(Review by Lance).
I took one look at the press release for this disc and relegated it to the pending tray. I mean to say, French horn, violin and piano - what will they be trying to palm off on us next as jazz? Then, in a weak moment, I said to myself, "WTF I'll give it a spin - nothing else in the pending tray appeals and, with Liam Noble on piano, it can't be all bad.
Truth is - it's all very good!

Rattigan, gets a great sound, almost like a valve trombone but cooler, drier. As emotive as all but the most laid back flugel player this to me is a revelation! Why haven't there been more jazz improvising French hornists? Admittedly the nature of a rotary valve instrument precludes, I would guess, the dazzling flights of fantasy favoured by trumpet players. This isn't a drawback or a hindrance - quite the contrary - it enables the player to choose notes and phrases carefully without covering up a paucity of ideas with bravura flashes of technique.
With players like Rattigan around, the French Horn could soon no longer be just a "Miscellaneous Instrument" but one worthy of a category of it's own.
Violin too was once a "Misc. Inst." Grappelli, Luc Ponty and others moved it out of the doldrums and ensured the instrument had its own distinctive identity in jazz circles. Gould carries on the tradition of his musical forebears - and he can swing too - even if his tone could be fuller, the ideas are there. Horn and fiddle combine brilliantly both in the ensembles and in their challenging solos. Complementing and contradicting each other in the finest musical terms.
This is a jazz record but it is also damn close to being a contemporary classical work too - genres? Who needs them?!
I haven't mentioned Liam Noble - my middle name is Remiss! - Without bass and drums, Noble is the link between the genres. The harmonic foundation he lays down beneath the other two ensures the fluidity of the music and, of course, it goes without saying his solos are no less than what we'd expect from one of the UK's top keyboard men!.
Why haven't I been listening to this non-stop since it was released? Change my middle name from Remiss to Procrastinator.
It's quite wonderful..
Lance.

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Blog Archive

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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