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Bebop Spoken There

Dewey Redman: "When Trane came to Bop City in San Francisco and told me he liked the way I played, I stayed high off that forever." - (Downbeat June 1980.)

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Nick Brignola: “I got to talk to John Coltrane before he was John Coltrane!” – (Jazz Journal April 1991)

Archives.

Today Monday January 16

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
Evening.
???????
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, December 08, 2014

Budtones: Jazz Co-op @ The Globe: December 6

Fiona Finden (tenor sax, vocals); Stu Finden (tenor sax); James ? (Keys); Jim Crinson (bass); Eric Stutt (Drums).
(Review by Ann Alex).
This was a hugely enjoyable gig, which deserved a larger audience, although this venue looks full with just 15 or so people. The only problem was that the band has the alphabet in a different order from the rest of us, or so it seemed.  The order of tunes was alphabetical we were assured, starting at ‘M’ with The Message, but it seemed to go haywire from there! But joking apart, a fine set, adventurously boppy, interesting songs, tight playing and lots of great solos.
Most tunes began with either the melody sung by Fiona or the horns doing a chorus in harmony (one of my favourite sounds); then Stu turning to the keys and bass during his solo, solos from both keys and bass, then horns in harmony again, or a lovely chorus from our singer.  Not forgetting 4’s between Stu and Eric on some tunes, and a welcome drum solo on the second number which was Miles Davis’s All Blues. And the bop feel was enhanced by the circle of light above the band with psychedelic patterns moving through it.
The mood then changed for Autumn Leaves, sung gently by Fiona, with just the right amount of scat at the end, followed by Sonny Rollins’ Doxy; then an original written by Jim Crinson; and God Bless The Child, sung feelingly by Fiona, herself a mother, which maybe you have to be to fully interpret this song.  The first half was rounded off with a bop version of Whispering.
The second set included I Fall In Love Too Easily with some neat call and response between voice and Stu’s sax; a lively, amusing, Sister Sadie (‘never hurried, never worried’); Miles Davis’ So What; Blues For Stu; (Fiona commented that Stu’s isn’t often blue).  Then came a Fiona original which I reluctantly missed as the Metro called me home.
I daresay that Michael Bublé at the Arena last night was ok, but I was glad to be where I was. – Sorry Mike, maybe next time.                                                                                                                               Ann Alex     

1 comment :

  1. Nice comments Ann, Thank you we are playing at Hexham Thursday !.

    ReplyDelete

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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