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Bebop Spoken There

Jeremy Pelt: "In my experience, the hottest player on the scene is almost always the most annoying motherfucker on the scene because they know that they're hot." - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Monday May 20

Afternoon

Jazz

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, November 25, 2014

CD Review: Ken Thomson and Slow/Fast - Settle.

Ken Thomson (alt/bs.clt.); Russ Johnson (tpt); Nir Felder (gtr0; Adam Armstrong (bs); Fred Kennedy (dms).
(Review by Lance).
Settle arrived on the doormat along with a zillion other CDs and missed the cut. However, I've eventually caught up with it (the other zillion -1 will have to wait awhile longer). I'm glad I did get around to listening to it - I think! It's certainly an unusual disc and almost impossible to pigeon-hole - or to put in any hole!
Imagine you turn up for a blind date with a girl who's not a stunning beauty. You maybe go for a drink or a coffee whilst at the same time trying to think up an excuse to escape.
However, you talk, the conversation flows. She may be a dog but she's an intelligent one. She smiles at one of your jokes - her mouth may be weak and her figure less than Greek - but you like her sense of humour and you're no longer looking for the exit and she's been transformed from a dog to a cuddly kitten.
The evening draws to a close and, as you share a goodnight kiss, you say "Will I see you again?" and she replies "I do a mean breakfast."
From the above you'll gather that Settle didn't hit me with a full frontal acceptance but, like anything worth having, built up from early reservations  to an appreciative understanding of the whole and one that incorporates many facets of today's jazz.
There's dissonance, but it doesn't jar. Abstract moments that are a sort of reflective beauty.
Through it all Thomson's compositions guide the way and all five musicians contribute equally both as soloists and in contrapuntal passages that are almost like a Bach fugue.
Thomson may be the best jazz bass clarinettist I've heard.
Well worth checking out.
Lance.

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