Total Pageviews

Bebop Spoken There

Allison Neale: “It’s difficult if you play mainstream in the UK, it isn’t appreciated enough. The current scene seems to focus on musician-composers.” - (Jazz Journal April 2013).

Liam Noble: “I know some people think playing standards is old-fashioned but I love it.” – (Jazz Journal January 2016).

Archives.

Today Tuesday February 21

Jam Session - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8pm. Free.
Charles Gordon (solo piano) - Redwood Bar, Vermont Hotel, Newcastle. 10pm - midnight. Free.
-----
To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, October 13, 2014

CD Review: Paragon – Cerca

Peter Ehwald (tenor & soprano saxophones), Arthur Lea (Fender Rhodes), Matthias Nowak (double bass) & Jon Scott (drums)
(Review by Russell).
Cerca is Paragon’s third CD since forming a decade ago. Bandleaders Peter Ehwald and Arthur Lea wrote music independently of one another in advance of a two-day recording session in Cologne. Ten tracks made it onto the album and Lea’s agitated Fender Rhodes leads on the opening Cerca de Ti. Co-leader Ehwald enters on upper register tenor as Jon Scott keeps the nu-swing tempo rattling along.
Ehwald’s East to West is a short, reflective piece; breathy reeds ceding to the precise bass pattern laid down by Matthias Novak. Delhi Belly (comp. Lea) is a rather apposite title, a flurry of activity sees the quartet race from A to B; tenor, keys, drums. A frantic Bohdan (another sprinter) excites with a near-manic Fender workout. Glory (comp. Ehwald) takes its time, a suitable antidote to the preceding finger-busting action.  
Brevity is the watchword on this recording (hearing the band live is to hear them develop a piece and stretch out); concise, polished, punchy statements. Blue Eyes White Dragon dances along courtesy of Scott and Novak with Ehwald’s fluent soprano suggesting this is his most interesting instrument. Lea’s elegant Fat Pig is certainly a misnomer with its stately, elegiac quality. The final three tracks are Ehwald compositions – North to South, Linguine and Ballade. Lea’s keyboards on Linguine suggest a liking for seventies’ jazz-rock popularised by Return to Forever. Ballade is the go-home encore number, the party over, the pyrotechnics done.
Cerca is released on October 13. Paragon’s UK tour starts on October 28 in Newcastle at the Jazz Café. The album launch gig is in London (October 31) at Jazz Live @ The Crypt and further dates take the quartet into November.
Cerca is released on Jellymould Jazz (JM-JJ014).
Russell.

No comments :

Post a Comment

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!