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Bebop Spoken There

Béla Fleck: “ And that's the great thing about live performances, you take people on a journey. It doesn't have to be like something else they've heard. It's not supposed to be". DownBeat, April, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16287 (and counting) posts since we started blogging 16 years ago. 169 of them this year alone and, so far, 41 this month (Mar 18).

From This Moment On ...

March

Thu 28: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 28: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 28: Richard Herdman Quartet @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Thu 28: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Josh Bentham (alto sax); Alan Marshall (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Graham Thompson (keys); Steve Hunter (drums).

Fri 29: FILM: Soul @ The Forum Cinema, Hexham. 12:30pm. Jazz-themed film animation.
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 29: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 29: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 29: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free. POSTPONED!
Fri 29: Thundercat @ Newcastle City Hall.
Fri 29: John Logan @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sat 30: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 30: Pete Tanton’s Cuba Libre @ Whitley Bay Library, York Road, Whitley Bay. 8:00pm.

Sun 31: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 31: Ruth Lambert Trio @ Juke Shed, Union Quay, North Shields NE30 1HJ. 3:00pm. Free. Lambert, Alan Law & Paul Grainger.
Sun 31: Sid Jacobs & Tom Remon @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. USA/London jazz guitar duo.
Sun 31: Bellavana @ The Globe, Newcastle. 8:00pm.

April
Mon 01: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 02: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Dean Stockdale, Paul Grainger, Abbie Finn.

Wed 03: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 03: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 03: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Saturday, October 25, 2014

CD Review: No Fast Food – In Concert

Phil Haynes (drums), David Liebman (tenor & soprano saxophones, flute) & Drew Gress (double bass).
(Review by Russell).
In a long career drummer Phil Haynes has worked with many of the leading lights in contemporary jazz including Anthony Braxton, Don Byron and Paul Smoker. He has recently released a recording of his trio No Fast Food featuring Dave Liebman (reeds) and Drew Gress (double bass) captured in stunning form on location in Rochester, NY State and Milheim, Pennsylvania.
The CD In Concert documents the trio’s engagements during the summer of 2012. The compositions (thirteen across two discs) are by Haynes, as is the exemplary production. The bandleader refers to the ‘individual clarity’ and ‘equality of ensemble counterpoint’ achieved in the trio format and it is the participation of Liebman and Gress that ensures the music is of the highest quality. The trio format leaves no hiding place and none hide. Gress leads on the opening Dawn on the Gladys Marie, Haynes and Liebman waiting in the wings. Throughout the recording the musicians listen, converse, empathise and, from time to time, engage in volcanic argument finally agreeing a resolution.
The robust West Virginian Blues hears Liebman on tenor and on Together (No Fast Food defined) he switches to soprano with equal facility. On ZenLieb (the opening track of the second disc) Liebman plays a wooden flute. The title says it all and the audience response is one of appreciation of his mastery. From Zen Lieb to agitated Lieb as Liebman burns it up on tenor on Out of the Bowels. More of the same (gloriously so) on Workin’ It a none-stop, vigourous, swinging blow-out.                                          
Blues for Israel focuses on Liebman’s plaintive soprano saxophone (political perspective unspoken) followed by a brief Incantation. Taut group interplay is maintained throughout nine minutes plus on Chant, scarcely rising above a whisper, revealing Gress’ mastery of acoustic double bass playing. Encore du jour (from the Elk Creek Café & Ale Works, PA session) encapsulates all that is best about the CD and is an apposite ‘encore’. A word about the recording; Jon Rosenberg recorded, edited, mixed and mastered the CDs and in so doing captured the essence of the ‘live’ gig without compromising on quality of sound.    
In Concert by No Fast Food is available on CornerStoreJazz (CSJ 0107-0108). 
Russell.                

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