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Bebop Spoken There

Jim Hall: "Won't play loud, can't play fast" - (From one of the great guitarist's business cards brought to our attention by Roly Veitch).

Joel Harrison: “It’s incredibly hard to play bebop on guitar, harder than on saxophone.” – (Jazz Times August 2015)

Today Wednesday June 28

Afternoon.
Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Evening.
Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.
Chris Sharkey Trio - Jazz Café. 25 Pink Lane, Newcastle NE1 5DW. 8pm. £5/Students free - voluntary donation.
Levee Ramblers NOJB - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:30pm. £3.00.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, October 12, 2014

CD Review: Eyeshutight – Resonance

Johnny Tomlinson (piano & keyboards), Paul Baxter (double bass) & Kristoffer Wright (drums)
(Review by Russell)
Eyeshutight (Eyes Shut Tight) hit the road mid-October to promote their third album. Resonance resonates with the quiet, reflective approach adopted and refined by a tour-hardened, working trio. Formed in 2010 by bassist Paul Baxter, Eyeshutight draw on myriad influences; twentieth century classical composition, contemporary pop and the inevitable cult of small group jazz outfits – Keith Jarrett, the Bad Plus, EST.
Eight tracks recorded at Valleywood Studios, Leeds present a cohesive musical vision. The title track – Resonance – opens the album with typical understatement. A stillness permeates the writing; focused, deliberate, the melody marinating in the ether. Johnny Tomlinson’s piano statements emerge blinking into the sunlight on several tracks then never overplaying his hand, take refuge in the shade. Kristoffer Wright’s drumming is that of a percussionist, adapting his fulsome technique to the trio sound (deploying the use of mallets with great sensitivity) and Baxter is the least demonstrative of bassists – the quiet essence of the music.
Several tracks have been heard in concert and this recording presents (and documents) the trio’s musical development to date. The Precipice crackles with restrained power, a use of keyboards alongside acoustic piano adds to Tomlinson’s palette throughout the recording and repeated listening to Resonance will reward the attentive listener.
Resonance is released by Hungry Bear Records (HBR001) on 21 October 2014. The trio can be heard on tour during October and November (inc. the Jazz Café, Newcastle, October 24).                 
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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