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Bebop Spoken There

More from Jazz Monthly:

Jack Cooke: "...neither Giuffre nor Jim Hall are even adequate jazz musicians, they are technically limited, and more importantly, seem unable to improvise logically" - (Review of a JATP concert. Jazz Monthly May 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

Archives

Today Thursday October 19

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:oopm. Free.

Tees Valley Jazzmen - White Horse Hotel, Burtree Lane, Harrowgate Hill, Darlington DL2 1RH.Darlington. 1:30pm. Free.

Evening.

Mark Williams Trio - Empty Shop, 35c Framwellgate Bridge, Durham DH1 3NJ 8:00pm. £5.00.

Indigo Jazz Voices - Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. £5.

Maine Street Jazzmen - Potter's Wheel, Sunniside NE16 5EE. 8:30pm. Free.

Darlington Big Band, MD Richie Emmerson - Dormans, Oxford Rd., Middlesbrough TS5 5DT. 9pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, September 13, 2014

Juliet Kelly @ The Black Swan. September 11

Juliet Kelly (vocals), Nick Ramm (keyboards), Oli Hayhurst (double bass)& Eddie Hick (drums)
(Review by Russell/photo courtesy of Ken Drew.)
Juliet Kelly made an overdue Newcastle appearance with her Spellbound Stories show.   Ten songs inspired by novels (mainly twentieth century works) formed the basis of the two-set performance. Kelly’s band comprised top-flight musicians familiar to Tyneside audiences – Nick Ramm, Oli Hayhurst and Eddie Hick. The Black Swan venue in the basement of Newcastle Arts Centre was sparsely populated, but as Kelly was to discover, she was in the presence of a select, well-read audience!
Paolo Coelho, Toni Morrison, Audrey Niffenegger, Arundati Roy, Alice Walker – prize-winning authors all, copies of their works borrowed from local libraries or sitting on the bookshelves of  the Tyneside literati, Kelly was preaching to the converted. Nick Ramm worked as Kelly’s accompanist, scene-setter and improviser coaxing an array of sounds from his keyboards (variously acoustic, electric, Hammond and Old School BBC Stereophonic Workshop). The bass and drums partnership of Hayhurst and Hick guaranteed a swinging foundation and from time to time they stepped up to solo with aplomb.
Kelly’s response to Toni Morrison’s Beloved proved particularly effective (recalling Adelaide Hall’s wordless vocals to the 1927 landmark recording of Creole Love Call) in a sustained lower register delivery. The song cycle complete, the literati demanded Kelly returned to the stage. Emile Brontë’s Wuthering Heights (sans screeching) knocked spots off you know who.           
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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