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Bebop Spoken There

Dewey Redman: "When Trane came to Bop City in San Francisco and told me he liked the way I played, I stayed high off that forever." - (Downbeat June 1980.)

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Nick Brignola: “I got to talk to John Coltrane before he was John Coltrane!” – (Jazz Journal April 1991)

Archives.

Today Tuesday January 17

Afternoon.
?????
Evening.
Jam Session - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8pm. Free. Sitters-in welcome.
Charles Gordon (solo piano) - Redwood Bar, Vermont Hotel, Newcastle. 10pm - midnight. Free.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, September 17, 2014

Jazz Café Jam September 16

Peter Gilligan (pno); Bradley Johnston (gtr); John Pope (bs); Paul Wight (dms) + Brian Lynham (hca/vcl); Hannah Wilson (vcl); Ray Truscott (bs gtr); Kathryn Lowdon (vcl).
(Review by Lance/photo by Mike Tilley).
The house trio became a quartet tonight with the addition of  Bradley on guitar. How well this young man has mastered the idiom slotting in comfortably with Gilligan, Wight and Pope John - the latter depping for the absent Paul Grainger.
Days of Wine and Roses took off as if the bar and the florist were about to close in 3 minutes time! The quartet made it! Johnston provided the melody for All the Things You Are, Gilligan took us to Dear Old Stockholm followed by some Latin rhythms on that bossa nova with 20 different names. Tonight it may have been sailing under Carnival. 
Brian Lynham brought his harp to the party and he was asked to play. Stormy Weather was the forecast although later he gave us a rockin' version of Summertime complete with vocal to complement the bluesy sounds from his Hohner 270.
Bradley kept the blues theme going with Things Ain't What They Used to Be. On piano, Gilligan, oblivious to the instruments failings, was playing a blinder and never more so than on Anthropology taken at Tempo Di Lick (fast!) guitar and piano playing in unison.
A new kid on the block was Hannah Wilson who gave an imaginative rendition of My Funny Valentine - look forward to hearing her again.
The Pope took a well-earned break and Ray Truscott (pictured with Bradley Johnston) added a couple of extra strings to the bass section and admitted he had Met Miss Jones.
Skylark and Canteloupe Island kept the ball in play. The former delicate and reflective, the latter funky and soulful. 
John Pope came back on for the bass feature Mr PC - a tune dedicated to former Miles Davis bassist Paul Chambers and nothing to do with being a computer, a constable or a politically correct person.
Other gems included Moonlight in Vermont, Chick Corea's 500 Miles High and In a Mellotone before the ebullient Ms Lowdon socked it to us with Stormy Monday.
Another good day at the office.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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