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Bebop Spoken There

Elkie Brooks: “He [Eric Delaney] was most surprised I could sing ‘Misty’ which is quite a big ballad.” – (R’N’R November/December 2017)

Norma Winstone: “I think a lot of young musicians are doing good stuff and trying to find a way, but I think it’s more difficult now because there’s no funding.” – (Jazzwise December 2017/January 2018)

Today Sunday February 25

Afternoon

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 12 noon. Free.

Somethin’ Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 5:00pm. Tel: 01325 788564. Matt Case (saxophone) & Mike Hepple (guitar).

More Jam - The Globe, 11 Railway Street, Newcastle NE4 7AD. 3pm. Free.

Evening

Just Friends - Quakerhouse, Mechanics' Yard, Darlington DL3 7QF. 6pm. £5.

Bradley Johnston - The Fire Station, High Street West, Sunderland SR1 3DT. Tel: 0191 594 7241. 6:00pm. Free. New weekly residency.

The Djooks - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Jazz Jam - Empty Shop, 35c Framwellgate Bridge, Durham DH1 4SJ. 7:30pm. Free.

Seaview Playboys - The Cleveland, Coatham High St., Redcar. 8pm. Americana.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, September 18, 2014

CD Review: Partisans – Swamp

Julian Siegel - saxophones & bass clarinets;  Phil Robson – guitars; Thaddeus Kelly – bass; Gene Calderazzo – drums.
(Review by Steve H.)
The Partisans could be described as an Indie Jazz British super group - all members being stars in their own right. Swamp is the band’s fifth studio album since their formation in 1996 and the tightness and empathy in this performance are apparent throughout.
Flip the Sneck (Siegel) is a jolly opener with an easily recognisable theme.  Siegel  leads the way before Robson ends the piece with a crushing guitar solo. Low Glow (Siegal) has a great bass  background reminiscent of Miles’ 70’s era recordings complemented by Calderazzo’s sensitive drumming allowing Siegal and Robson space to flow with fine solos. 
Thin Man (Robson)  is driven by Calderazzo’s classic drumming as again Robson and Siegel serve up tasteful and interesting solos . The title track Swamp (Robson) certainly evokes the feeling of being in the middle of some whirling foggy morass. This is the ‘free-est’  and for me the most enjoyable track on the album again with a definite  Miles Davis electronic feel to it. Robson uses fascinating electronic effects whilst drum and bass really set the groove. 
Veto (Siegel) is another vehicle for the tenor player to delight with a more or less straight ahead piece and the guitar is also played in classic jazz fashion. Overview (Robson) starts with a gentle airy soprano solo before Robson takes over with one of his more imaginative guitar breaks.  Mickey (Robson) sees Siegel and Robson once more trade solos as bass and drums provide the perfect backdrop. Finally, Icicle Architects (Robson) starts with a melancholic bass clarinet solo before slowly building to a rumbling group finale.
Apart from the title track this album is more landscape garden than quagmire so for those who revel in tight well executed contemporary jazz played by a first rate ensemble this will be a fine offering. For those seeking some heavier trekking this album may be a few mud baths short of a Swamp
Swamp is released by Whirlwind Recordings Ltd. on Sept. 22.
Steve H.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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