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Bebop Spoken There

Robert Plant: "The only reunion we [Led Zeppelin] are likely to have is in a chip shop in Camden Town" - (i July 7).

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Roland Kirk: "A person can't appreciate freedom unless he's been in prison." - (Down Beat May 18, 1967).

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

Posting a comment

If you experience any problems posting a comment, as I understand some readers are, then email it to me direct, stating which post your comment relates to - lanceliddle@gmail.com. Alternatively, try the Anonymous button but please sign your name!
Apologies for any inconvenience, this is due to circumstances beyond my control.

Today Sunday July 15

Afternoon

Cancelled

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1pm. Free.

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Wandering Loose - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Somethin’ Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 5:00pm. Tel: 01325 788564. Matt Case (saxophone) & Mike Hepple (guitar).

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Evening

BRASS Goes to Hollywood - Gala Theatre, Millennium Place, Durham DH1 1WA. Tel: 03000 266 600. 7:30pm. £18.00. (£16.00. concs.). Scottish Swing Orchestra & BRASS Hollywood Chorus. Durham Brass Festival.

Colin Aitchison - Black Bull, Bridge Street, Blaydon NE21 4JJ. 8:00pm. £5.00. Aitchison (trumpet, vocals), Franco Valussi (clarinet, vocals), Roly Veitch (guitar), Roy Cansdale (bass).

East Coast Jazz (New Jam Session) - The Exchange, Howard St., North Shields NE30 1SE. 6pm-9pm. Every third Sunday sitters in welcome. Keith Barrett (gtr); Andrew Porritt (bass); Sid White (dms).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, September 20, 2014

Alan Barnes @ Jazz Café September 19.










Alan Barnes (alt/bar/clt); Paul Edis (pno); Paul Susans (bs); Rob Walker (dms).
(Review by Lance/left photo courtesy of Ken Drew/right photo courtesy of Mike Tilley).
In the delightful, intimate, setting of the "Caff's" upper room the disciples came to hear and dutifully worship The Master(s) who preached the gospel of good music, good fun and goddamn awful gags.!
In this latter respect, since the passing of Ronnie Scott, Barnes has long held the post of Court Jester and he never fails to get the fans on his side with a quip or six. However, joking apart (boom! boom!), it is his playing that makes him such an outstanding performer and in this respect he is second to none.
Barnes and Edis had had a highly successful warm up as a duo earlier in the day (see previous post) and that musical sketch blossomed into a full blown landscape with the addition of Susans and Walker. This was truly a night to remember in arguably the best local setting for jazz. The ambiance was there, the room felt 'right' even before a note had been blown.
There were a lot of notes blown tonight! From the first few choruses of the blues based opener by the trio - Triptych in another life - we knew it was going to be "all-right on the night". Barnes made a blistering entry on alto, notes cascading in a kaleidoscope of sound that eventually emerged as Straight No Chaser.
Horace Silver's Nica's Dream gave him the opportunity to link Horace Silver and Harry Gold and to remind us what a splendid tune this is. The change of tempo/mood in those wonderful 8 bars of the release never fails to excite.
A switch to clarinet and the Edis original For Bill [Evans] reminded us not only that Barnes is no slouch on the liquor stick but that Edis is a composer (and pianist) to be reckoned with.
Baritone was brandished on Bye Bye Blackbird and later My Funny Valentine - Gerry Mulligan lives!
There were many more highlights - too numerous to mention them all - the alto/piano unison on Donna Lee, the baritone/double bass passages, Rob Walker's hand drumming on My Little Suede Shoes, Edis' composition Lines - a composition to rank alongside Groovin' High, Hot House, Billie's Bounce and other bebop classics - and the most aptly titled number of them all, Tour de Force. This indeed typified the evening.
Lance.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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