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Bebop Spoken There

Ambrose Akinmusire: “ I am certainly always aware of what the masses are doing. And when I see too many people going one way, I'm going another way - even when I don't know what's over that way". DownBeat, March, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16287 (and counting) posts since we started blogging 16 years ago. 169 of them this year alone and, so far, 41 this month (Mar 18).

From This Moment On ...

March

Tue 19: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young, Paul Grainger, Tim Johnston.

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 21: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 21: Castillo Neuvo Trio + Conor Emery & His ‘Bones Band @ The Grove, Ouseburn, Newcastle. 7:30pm (7:00pm doors). £10.00. (£7.00. student).
Thu 21: Remi Banklyn + Chris Corcoran Trio @ The Globe, Newcastle. 8:00pm. £12.50. Chicago blues. An International Guitar Foundation promotion.
Thu 21: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 21: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 22: Vasilis Xenopoulos & Paul Edis @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 22: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 22: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 22: Nauta + Remy CB + Last Orders @ Hoochie Coochie, Newcastle. 8:30pm (7:30pm doors). Free.
Fri 22: Vasilis Xenopoulos-Paul Edis Quartet @ Traveller’s Rest, Darlington. 8:00pm. £15.00. Opus 4 Jazz Club.
Fri 22: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sat 23: Jambone @ The Glasshouse, Gateshead. 6:30pm. Free (ticketed). End of term performance in the Northern Rock Foundation Hall.
Sat 23: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 23: Red Kites Jazz @ Rowlands Gill Community Centre NE39 1JB. 7:00pm. Tickets: £12.00. (gibsidecommunityfarm@gmail.com). A ‘Build a Barn’ fundraiser. BYOB, tea/coffee available.
Sat 23: New Century Ragtime Orchestra @ Gosforth Civic Theatre, Newcastle. 7:30pm. £20.00. + bf (book in person at venue - no booking fee!). Featuring pianist Martin Litton.
Sat 23: Pete Tanton’s Cuba Libre @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 24: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm. Free.
Sun 24: More Jam @ The Globe, Newcastle. 2:30pm. Free.
Sun 24: Luis Verde @ Queen’s Hall, Hexham. 3:00pm. Verde (alto sax); Joe Steels (guitar); John Pope (double bass); John Hirst (drums). Alto sax brilliance!
Sun 24: Elsie Franklin @ The Globe, Newcastle. 3:00pm. £10.00. Country blues. An International Guitar Foundation promotion.
Sun 24: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 24: Las Vegas Live with the Rat Pack @ The Forum, Billingham.
Sun 24: Ian Millar & Dominic Spencer @ Otterburn Memorial Hall. 7:30pm. £12.00.
Sun 24: Lindsay Hannon: Tom Waits for No Man @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig. Note start time - 7:00pm.
Sun 24: Bold Big Band @ The Globe, Newcastle. 8:00pm.

Mon 25: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 25: Michael Young Trio @ The Engine Room, Sunderland. 6:30pm. Free.

Monday, August 04, 2014

Joshua Redman @ Jazz en la Costa, Almunecar, Spain, July 21

Joshua Redman (sax) , Aaron Goldberg (piano), Reuben Rogers (bass) and Gregory Hutchinson (drums).
(Review by JC). 
Almunecar is a very pretty coastal town on the Costa Tropical in Southern Spain. One thing it's famous for is being the town where Laurie Lee ended up after his epic walk through the length of the country in 1936 with just a fiddle and a loaf of bread in a knotted handkerchief on the end of a stick as luggage. Unfortunately, he arrived in the middle of the Spanish civil war and things were a bit dangerous as the next town along was on a different side to Almunecar, so eventually he had to be rescued by the British navy. He later wrote about his adventures in his book As I walked Out One Midsummer Morning.
Although it is not reported whether Lee played jazz on his fiddle, Almunecar's other claim to fame is that it has hosted a stylish and quirky jazz festival for over 25 years. The location of the concerts must be one of the coolest and most idyllic around as they take place in wonderful tropical gardens beneath an old floodlit castle. The gardens are full of palms and banana trees and there are pieces of interesting sculpture dotted here and there. The open stage sits underneath the castle in front of much tropical greenery and the musicians are sometimes accompanied by squawky scat from cockatoos and parrots as they fly by. And it wouldn't be a total surprise if a ring-tailed lemur was to swing down from the trees and have a quick thrash on the drums ('Yo! lemur' as a recent visiting American musician might say, hopefully not too many times).
There are rows of seats in front of the stage for people who just want to listen to the music, while further back there are tables with red lights (like an old style al fresco Ronnie Scott's) for those who want to drink, talk and also listen. It all works perfectly.
As well as the Joshua Redman Quartet, this year's programme offered Tord Gustavsen from Norway, Dave Holland, singer and composer Zara McFarlane and Charles Lloyd, amongst others. Not a bad selection.
Redman and his colleagues were in great form going straight into one of his own tunes played at full volume and pace. Surprisingly the second tune was Summertime ('but not as you know it, Lance'). This one included a brilliant, fifteen minute piano solo from Aaron Goldberg which crossed summertime with wintertime, Greenwich Mean Time, time after time and the space/time continuum to dismantle and reconstruct the original tune. The drummer had something to say about this as well. When Redman came back in for his second solo he played a number of beautiful Coltranesque phrases to return to the original tune, as well as managing some exuberant leg kicks.
Impressively, Redman did his best to make his announcements in Spanish although sometimes it drifted into Spanglish and bits of French but the local crowd appreciated it, even if it meant I couldn't understand most of it. So, picking up on the few words I could hear, it appeared that the next tune was written by a rock band from New York, but turned out to be another fiery jazz piece with no discernable rock features as far as I could tell. A number of what seemed to be classical inspired pieces followed with incredibly elegant solos from both Redman and Goldberg on piano. As the night went on the pieces became more musically complex with one number having a long and intricate bass intro before the rest of the band took on the theme and developed it further. For one tune the piano player retired from view and Redman played an extended solo intro, which included both more leg kicks but also, in amongst the torrent of notes, what sounded like double bass sounds. I looked at Reuben Rogers to see if his hands were moving but they were still resting on top of the bass, so they had to be coming from the saxophone.
This was one of those red-hot, but at the same time, cool bands who play with what appears to be such effortless technique yet still seem to be really enjoying themselves. The crowd (and the cockatoos) loved it and the band played an encore to a standing ovation. The happy crowd then drifted off quietly into the balmy night for a glass of wine and some tapas at a bar down by the beach. Nice.
JC

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