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Bebop Spoken There

John Tynan: "Go ahead, call me reactionary. I happen to object to the musical nonsense being peddled in the name of jazz by John Coltrane and his acolyte Eric Dolphy." - (Downbeat November 22, 1961).

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McCoy Tyner: "If anyone want to know how the three of us - Elvin, Jimmy and me - felt about John [Coltrane], listen to the music and you can hear the love and respect we had for each other. The music can really speak more than any of us." - (Melody Maker, August 19, 1967).
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Today Monday April 24

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
Evening.
?????
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, August 30, 2014

CD Review: Jacob Karlzon 3 - Shine

Jacob Karlzon (piano, keys, synths & programming); Hans Anderson (bass); Robert Mehmet Ikiz (drums).
(Review by JC)
Jacob Karlzon is a new name to me but he was initially widely known as a piano partner of Viktoria Tolstoy and he released a well-received debut trio record More in 2012. In the sleeve notes to this new album Shine he describes his aim as wanting to combine the best of two worlds: '- the openness, curiosity and energy of jazz, and the power, catchiness and the production techniques of pop'. At first glance this was not a project to set my pulses racing as it has never seemed to me a combination that enriches either genre. And this was confirmed somewhat by a number of the tracks that feature the piano/keys over the solid rhythm section and various background washes of synths and programming. Enjoyable but not particularly outstanding.
To my mind the more interesting tracks are later on the CD where the jazz influence dominates more. Inner Hills has a delicate, melodic feel and Screening Self creates a solid jazz-rock groove. The final track A Thousand Conclusions gives the bass player a chance to demonstrate his soloing abilities, something that is rare on the rest of the album.
Karlzon is clearly a very fine piano player and all of the tracks are his own compositions except for the U2 song I Still Haven't Found What I'm Looking For. However, there is a tendency in the unattributed sleeve notes to over-hype his work with, for example, the U2 song being described as 'this fragile, achingly beautiful solo-piano version' which, although very well played, seems a little excessive (although I should declare a bias here as the Irish popsters are not my favourite 'go to' composers). Karlzon himself is given to some new age philosophising and in explaining why Shine is the title of the album says: 'From a musical standpoint, a constantly changing glow permeates the entire album. I hope that this music helps each and everyone who hears it to shine a little in their daily life.' I couldn't help thinking that these descriptions were unnecessary and the music can stand on its own merits.
JC.
Jacob Karlzon 3 - Shine Released on ACT on September 15

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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