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Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

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Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

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Today Monday June 18

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, July 14, 2014

CD Review: Blacktop - # One

Orphy Robinson (marimba), Pat Thomas (piano, keyboards, computer beats) & Steve Williamson (tenor & soprano saxophones)
(Review by Russell)
Orphy Robinson and Pat Thomas formed Blacktop in 2011. A duo with invited guests, the CD # One features the tenor and soprano saxophones of Steve Williamson. Recorded ‘live’ at an accommodating London venue – Jazz in the Round @ The Cockpit Theatre – the trio set is a first rate example of freely improvised performance. Williamson’s playing – tenor or soprano – has a wistful, distant quality, dropping in and out, swirling around Robinson’s marimba and variously responding to, then avoiding, Thomas’ computer generated beats and tumultuous piano playing.
Robinson’s marimba builds measured, rhythmic patterns undeterred by the frequently frantic excursions of his collaborators, none more so than on the second of three pieces – Guess Who’s Coming to Dinner?  Williamson’s often distant sound (of cathedral-like dimensions) is subject to Thomas’ playful electronic interjections. A responsive, riled soprano, responds as if the occupant of a disturbed hornets’ nest. Measured marimba seeks resolution, piano taunts, at first falling in line, then, this being Pat Thomas, things go crazy. Robinson’s marimba gives as good as it gets, Williamson’s soprano engages in the animated conversation, a flourish of descending figures arrive at a sudden end.
The closing short piece – Archaic Nubian Stepdub – evolves out of Thomas’ scene-setting loops. Williamson’s soprano rides on Robinson’s response to the loop. No sooner has a riff been established, an end is signalled. All three musicians stop as if by prior arrangement.    
The CD’s running time is forty two minutes – a case of quality not quantity.
# One by Blacktop is released on July 14 on the Babel Label (BDV14128)
Russell.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
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Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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