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Bebop Spoken There

Jim Hall: "Won't play loud, can't play fast" - (From one of the great guitarist's business cards brought to our attention by Roly Veitch).

Joel Harrison: “It’s incredibly hard to play bebop on guitar, harder than on saxophone.” – (Jazz Times August 2015)

Sir Thomas Beecham: "Forget about the bars. Look at the phrases, please. Remember that bars are only the boxes in which the music is packed" - (Beecham Stories by Harold Atkins & Archie Newman. Robson Books, 1978).

Today Wednesday June 28

Afternoon.
Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Evening.
Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.
Chris Sharkey Trio - Jazz Café. 25 Pink Lane, Newcastle NE1 5DW. 8pm. £5/Students free - voluntary donation.
Levee Ramblers NOJB - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:30pm. £3.00.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, June 07, 2014

Johnny Deps in Crook - Paul Edis Sextet @ St. Cuthbert’s Centre, Crook, Friday June 6.

Paul Edis (Piano), Mick Shoulder (Bass), Adam Sinclair (Drums), Graeme Wilson (Tenor/Baritone Sax), Chris Hibbard (Trombone) and Johnny Dunn (Trumpet and Flugelhorn).
(Review/photo by Jerry)
“7.30 p.m., summer sun (about time) streams through the high window, nibbles are on the tables, bottled ales are flowing and a chattering Crook crowd thinks they are in for a great evening. Adam’s drums rip into Administrate This, the chattering stops and the crowd KNOW they are in for a great evening! “
 I wrote the above exactly one year ago but I make no apology for recycling it. Johnny Dunn again graced the front line, so it all still applies.
As then, the mix for the evening was: originals from the group’s first CD, There Will Be Time; originals featured on the second CD, Mr Hipster, (to be launched at Sage Gateshead on September 25) and a couple of standards for good measure. Thus the first set included: The Timothy’s (aka “I’m in with the in-laws”), Eastern, Missing You (Aaaaaah!), Black Orpheus, and Blues for Dad (aka “Keep Pops onside, too”).
New to Crook was the forthcoming CD’s title-track, Mr Hipster – a gem of Pink Panther-ish drumming and slinky attitude. There were no “hipsters” in the audience (apparently even those of us with beards lacked the inventive topiary required) but it went down well anyway! As did the half-time pizza.
The second set opened brightly with Mick Shoulder’s bold and brassy arrangement of My Heart Belongs to Daddy and continued with Better Than a Punch in the Face. Next up (again, I think, new to Crook) was the serendipitously Scouse-inspired Lost in Translation – a “bass-heavy” piece featuring Graeme Wilson’s growling baritone sax and a great “snap” ending.
It was interesting to compare the sextet’s Vignette with the piano version from the recently reviewed (Jazz Journal – FOUR STARS!) solo album, Not Like Me. I prefer the solo version whereas the opposite applies with Eastern.
Paul then played, solo, a short, recently-written piece entitled Vince – appropriately more classical than jazzy, as dedicated to friend whose idea of heaven was any place inhabited by the Vienna Philharmonic!
Knight Errant, another instantly lovable original, featured muted brass, GraemeWilson on flute, infectious Spanish rhythms and a Flamenco-clapping finish. Olé! Angular, with solos for all and audience-participation during a drum solo (whatever next?), brought a thoroughly enjoyable evening to a close.
There are more gigs coming up at this thriving venue (Customs’ House Big Band next) - get there if you can!
My birthday happens to be on September 25 and I know where I will be – at The Sage for the CD launch! Get there too, if you can.
Jerry.       

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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