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Bebop Spoken There

More from Jazz Monthly:

John Postgate: "Oscar Peterson played a good solo in 1954..." - (Jazz Monthly August 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

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Today Saturday October 21

Afternoon

???????

Evening

Tees Valley Jazzmen - Sadberge Village Hall, 5 Beacon Grange Park, Sadberge, Darlington DL2 1TW. 7:30pm. £9.00. inc cheese & biscuits, BYOB.

Mat Maneri/Evan Parker/Lucian Ban: Sounding Tears - Sage Gateshead. 7:45pm. £13.50.

The Exiles - The Globe, 11 Railway St., Newcastle NE4 7AD. 8:00pm. £5.00. Line-up: Dave Hignett (trumpet), Niall Armstrong (tenor sax), Mike Cunningham (piano), Hazel Hanley (double bass) & Paul ‘Sid’ Wight (drums).

George Shovlin & the Radars - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, June 04, 2014

Jazz Café Jam June 3.

Peter Gilligan (pno); Paul Grainger (bs); Paul Wight (dms); Mark Williams (gtr) + Josh Bentham (alt); Paul Skerritt (vcl); Paul Gowland, Stuart Finden, (tenors); Fiona Finden (ten/vcl); Simon Stephenson (gtr)...
(Review by Lance).
Alice in Wonderland was an appropriate opener. I don't know if there were any Alices in the room but, if there were, they would indeed think they had stumbled into a parallel universe that was totally oblivious to the other Pink Lane activities. Gilligan, Grainger, Wight and Williams were sending out the message - come in and hear the truth. At this stage, not many had. Perhaps, like the aforementioned four, they'd gone to Scarborough Fair. This dreary olde English folk tune is not an immediately obvious choice but, in the hands of these guys, it morphed into a near jazz standard. Make Someone Happy? The whole room was happy as the sitters in stood at the bar or sat in the wings awaiting the call.
First sacrificial lamb to be offered up was altoist Josh Bentham. Young, very young, cool looking dude. Georgia on my Mind has well and truly stood the test of time since Hoagy wrote it in 1930 and Bentham's version didn't do it any harm. Nat Adderley's Work Song found the alto player in a more adventurous mood throwing in a few high register forays. Keep an eye out for this young man.
The third of four Pauls, Paul Skerritt, took control of the mic for Orange Coloured Sky and My Funny Valentine, the former a bouncy swinger, the latter  beginning softly then building up to a big finale before subsiding back to pianissimo. Crooning at its best. 
More Paul, Gowland this time, and an awesome I'll Remember April. Big solos all round and blistering fours 'twixt Williams, Wight and Gowland. In a Sentimental Mood brought the first set to a close.
The word must have spread or else one of those bus trips that bar owners prayer for had arrived as, suddenly, the room was crowded!
The second set had more tenor madness, this time from Stuart Finden who paid homage to Hank Mobley with This I Dig of You (?). Mrs Finden sang Stanley Turrentine's Sugar (not to be confused with the Peggy Lee classic) and picked up her tenor for Sister Sadie as Simon Stephenson plugged himself into the Fender Twin (or whatever guitar amp it was). Gilligan, incidentally, played Korg keyboard the house upright being terminally ill.
Enter John Rowland for All the Things You Are and There Will Never be Another You. Now the tenors were three.
Finally, from my point of view, Paul Gowland played You'd be so Nice to Come Home to which sent me on my way to the refurbished Central Station (Grand Central Station?) for Metro/88 bus coordinated journey home.
Well worth the trip.
Lance.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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