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Bebop Spoken There

Danny Gatton: "I was tired of playing in beer joints. I wanted to do something tangible like building cars. But once you do music it gets into your blood. You can get away from it for awhile but sooner or later it comes back to you." - (Down Beat April 1991).

Tal Farlow: "There were times when I would stop [playing guitar] and do sign painting." - (Downbeat December 5, 1963)

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Today Monday August 21

Radio
Radio 3: Jazz Now. Live from Pizza Express, Soweto Kinch featuring Andy Sheppard/Carla Bley/Steve Swallow. 11pm.
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Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Evening.
?????
To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, June 04, 2014

CD Review: Matthew Halsall & the Gondwana Orchestra - When the World Was One

Matthew Halsall (trumpet), Nat Birchall (soprano saxophone), Lisa Mallett (flutes), Keiko Kitamura (koto), Rachael Gladwin (harp), Taz Modi (piano), Gavin Barras (double bass) & Luke Flowers (drums)
(Review by Russell).
The Gondwana Orchestra’s opening track, the eponymous When the World Was One more than hints at a Coltrane vibe – Nat Birchall’s soprano, Taz Modi’s piano (McCoy) and Luke Flowers’ drums (Elvin). Bandleader Halsall leaves it late, contributing fluent trumpet work to take it out. A Far Away Place (the Far East at a guess) evokes ethereal woodwind sounds (bansuri flute), Rachael Gladwin’s elegant harp riding on Flowers’ desultory rhythmic snare.
Trumpeter Matthew Halsall’s thoughtful solos are best illustrated on Falling Water – considered, conscious of Modi’s piano part to follow. Patterns hears an up beat Modi giving way to more of the measured Halsall. Flowers takes a few bars without losing the momentum with soprano and flute (Lisa Mallett) supplying the coda. Halsall’s interest in, and travels to Japan, demands the inclusion of ‘non-traditional’ jazz instruments (bansuri flute, Keiko Kitamura’s koto, harp) and they feature on Kiyomizu-Dera (a Buddhist temple in Japan).
Gladwin’s harp and Birchall’s soprano respond to Halsall’s growling trumpet work on Sagano Bamboo Forest, peace sought and found. On the closing track – Tribute to Alice Coltrane – bassist Gavin Barras suggests a groove, the excellent Flowers goes with it, Modi dreams awhile, flute awakens Halsall’s distant trumpet and harpist Gladwin has the final word.
When the World Was One is a beautifully conceived album, a million miles away from the Western jazz world’s historic predilection for the bravura performance. The work is available now in several formats on Gondwana Records.
Russell.

                

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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